我们介绍了日常桌面对象的998 3D型号的数据集及其847,000个现实世界RGB和深度图像。每个图像的相机姿势和对象姿势的准确注释都以半自动化方式执行，以促进将数据集用于多种3D应用程序，例如形状重建，对象姿势估计，形状检索等。3D重建由于缺乏适当的现实世界基准来完成该任务，并证明我们的数据集可以填补该空白。整个注释数据集以及注释工具和评估基线的源代码可在http://www.ocrtoc.org/3d-reconstruction.html上获得。

视觉感知任务通常需要大量的标记数据，包括3D姿势和图像空间分割掩码。创建此类培训数据集的过程可能很难或耗时，可以扩展到一般使用的功效。考虑对刚性对象的姿势估计的任务。在大型公共数据集中接受培训时，基于神经网络的深层方法表现出良好的性能。但是，将这些网络调整为其他新颖对象，或针对不同环境的现有模型进行微调，需要大量的时间投资才能产生新标记的实例。为此，我们提出了ProgressLabeller作为一种方法，以更有效地以可扩展的方式从彩色图像序列中生成大量的6D姿势训练数据。 ProgressLabeller还旨在支持透明或半透明的对象，以深度密集重建的先前方法将失败。我们通过快速创建一个超过1M样品的数据集来证明ProgressLabeller的有效性，我们将其微调一个最先进的姿势估计网络，以显着提高下游机器人的抓地力。 ProgressLabeller是https://github.com/huijiezh/progresslabeller的开放源代码。

透明的物体在家庭环境中无处不在，并且对视觉传感和感知系统构成了不同的挑战。透明物体的光学特性使常规的3D传感器仅对物体深度和姿势估计不可靠。这些挑战是由重点关注现实世界中透明对象的大规模RGB深度数据集突出了这些挑战。在这项工作中，我们为名为ClearPose的大规模现实世界RGB深度透明对象数据集提供了一个用于分割，场景级深度完成和以对象为中心的姿势估计任务的基准数据集。 ClearPose数据集包含超过350K标记的现实世界RGB深度框架和5M实例注释，涵盖了63个家用对象。该数据集包括在各种照明和遮挡条件下在日常生活中常用的对象类别，以及具有挑战性的测试场景，例如不透明或半透明物体的遮挡病例，非平面取向，液体的存在等。 - 艺术深度完成和对象构成清晰度上的深神经网络。数据集和基准源代码可在https://github.com/opipari/clearpose上获得。

This paper presents an approach that reconstructs a hand-held object from a monocular video. In contrast to many recent methods that directly predict object geometry by a trained network, the proposed approach does not require any learned prior about the object and is able to recover more accurate and detailed object geometry. The key idea is that the hand motion naturally provides multiple views of the object and the motion can be reliably estimated by a hand pose tracker. Then, the object geometry can be recovered by solving a multi-view reconstruction problem. We devise an implicit neural representation-based method to solve the reconstruction problem and address the issues of imprecise hand pose estimation, relative hand-object motion, and insufficient geometry optimization for small objects. We also provide a newly collected dataset with 3D ground truth to validate the proposed approach.

我们介绍了Amazon Berkeley对象（ABO），这是一个新的大型数据集，旨在帮助弥合真实和虚拟3D世界之间的差距。ABO包含产品目录图像，元数据和艺术家创建的3D模型，具有复杂的几何形状和与真实的家用物体相对应的物理基础材料。我们得出了具有挑战性的基准，这些基准利用ABO的独特属性，并测量最先进的对象在三个开放问题上的最新限制，以了解实际3D对象：单视3D 3D重建，材料估计和跨域多视图对象检索。

6D object pose estimation problem has been extensively studied in the field of Computer Vision and Robotics. It has wide range of applications such as robot manipulation, augmented reality, and 3D scene understanding. With the advent of Deep Learning, many breakthroughs have been made; however, approaches continue to struggle when they encounter unseen instances, new categories, or real-world challenges such as cluttered backgrounds and occlusions. In this study, we will explore the available methods based on input modality, problem formulation, and whether it is a category-level or instance-level approach. As a part of our discussion, we will focus on how 6D object pose estimation can be used for understanding 3D scenes.

We introduce an approach for recovering the 6D pose of multiple known objects in a scene captured by a set of input images with unknown camera viewpoints. First, we present a single-view single-object 6D pose estimation method, which we use to generate 6D object pose hypotheses. Second, we develop a robust method for matching individual 6D object pose hypotheses across different input images in order to jointly estimate camera viewpoints and 6D poses of all objects in a single consistent scene. Our approach explicitly handles object symmetries, does not require depth measurements, is robust to missing or incorrect object hypotheses, and automatically recovers the number of objects in the scene. Third, we develop a method for global scene refinement given multiple object hypotheses and their correspondences across views. This is achieved by solving an object-level bundle adjustment problem that refines the poses of cameras and objects to minimize the reprojection error in all views. We demonstrate that the proposed method, dubbed Cosy-Pose, outperforms current state-of-the-art results for single-view and multi-view 6D object pose estimation by a large margin on two challenging benchmarks: the YCB-Video and T-LESS datasets. Code and pre-trained models are available on the project webpage. 5

我们提出了可区分的立体声，这是一种多视图立体方法，可从几乎没有输入视图和嘈杂摄像机中重建形状和纹理。我们将传统的立体定向和现代可区分渲染配对，以构建端到端模型，该模型可以预测具有不同拓扑和形状的物体的纹理3D网眼。我们将立体定向作为优化问题，并通过简单的梯度下降同时更新形状和相机。我们进行了广泛的定量分析，并与传统的多视图立体声技术和基于最先进的学习方法进行比较。我们展示了令人信服的重建，这些重建是在挑战现实世界的场景上，以及具有复杂形状，拓扑和纹理的大量对象类型。项目网页：https：//shubham-goel.github.io/ds/

Humans constantly interact with objects in daily life tasks. Capturing such processes and subsequently conducting visual inferences from a fixed viewpoint suffers from occlusions, shape and texture ambiguities, motions, etc. To mitigate the problem, it is essential to build a training dataset that captures free-viewpoint interactions. We construct a dense multi-view dome to acquire a complex human object interaction dataset, named HODome, that consists of $\sim$75M frames on 10 subjects interacting with 23 objects. To process the HODome dataset, we develop NeuralDome, a layer-wise neural processing pipeline tailored for multi-view video inputs to conduct accurate tracking, geometry reconstruction and free-view rendering, for both human subjects and objects. Extensive experiments on the HODome dataset demonstrate the effectiveness of NeuralDome on a variety of inference, modeling, and rendering tasks. Both the dataset and the NeuralDome tools will be disseminated to the community for further development.

Estimating 6D poses of objects from images is an important problem in various applications such as robot manipulation and virtual reality. While direct regression of images to object poses has limited accuracy, matching rendered images of an object against the input image can produce accurate results. In this work, we propose a novel deep neural network for 6D pose matching named DeepIM. Given an initial pose estimation, our network is able to iteratively refine the pose by matching the rendered image against the observed image. The network is trained to predict a relative pose transformation using a disentangled representation of 3D location and 3D orientation and an iterative training process. Experiments on two commonly used benchmarks for 6D pose estimation demonstrate that DeepIM achieves large improvements over stateof-the-art methods. We furthermore show that DeepIM is able to match previously unseen objects.

在本文中，我们提出了一个新颖的对象级映射系统，该系统可以同时在动态场景中分段，跟踪和重建对象。它可以通过对深度输入的重建和类别级别的重建来进一步预测并完成其完整的几何形状，其目的是完成对象几何形状会导致更好的对象重建和跟踪准确性。对于每个传入的RGB-D帧，我们执行实例分割以检测对象并在检测和现有对象图之间构建数据关联。将为每个无与伦比的检测创建一个新的对象映射。对于每个匹配的对象，我们使用几何残差和差分渲染残留物共同优化其姿势和潜在的几何表示形式，并完成其形状之前和完成的几何形状。与使用传统的体积映射或学习形状的先验方法相比，我们的方法显示出更好的跟踪和重建性能。我们通过定量和定性测试合成和现实世界序列来评估其有效性。

Estimating the 6D pose of objects is one of the major fields in 3D computer vision. Since the promising outcomes from instance-level pose estimation, the research trends are heading towards category-level pose estimation for more practical application scenarios. However, unlike well-established instance-level pose datasets, available category-level datasets lack annotation quality and provided pose quantity. We propose the new category level 6D pose dataset HouseCat6D featuring 1) Multi-modality of Polarimetric RGB+P and Depth, 2) Highly diverse 194 objects of 10 household object categories including 2 photometrically challenging categories, 3) High-quality pose annotation with an error range of only 1.35 mm to 1.74 mm, 4) 41 large scale scenes with extensive viewpoint coverage, 5) Checkerboard-free environment throughout the entire scene. We also provide benchmark results of state-of-the-art category-level pose estimation networks.

在这项工作中，我们探索在野外重建手对象交互。这个问题的核心挑战是缺乏适当的3D标记数据。为了克服这个问题，我们提出了一种基于优化的程序，该过程不需要直接的3D监督。我们采用的一般策略是利用所有可用的相关数据（2D边界框，2D手键盘，2D实例掩码，3D对象模型，实验室Mocap）为3D重建提供约束。我们不是单独优化手和对象，我们共同优化它们，这使我们能够基于手动对象触点，碰撞和遮挡来施加额外的约束。我们的方法在史诗厨房和100天的手中数据集中产生令人信服的重建，跨越一系列对象类别。定量地，我们证明我们的方法对现有的实验室设置中的现有方法有利地进行了比较，其中地面真理3D注释提供。

6D对象姿势估计是计算机视觉和机器人研究中的基本问题之一。尽管最近在同一类别内将姿势估计概括为新的对象实例（即类别级别的6D姿势估计）方面已做出了许多努力，但考虑到有限的带注释数据，它仍然在受限的环境中受到限制。在本文中，我们收集了Wild6D，这是一种具有不同实例和背景的新的未标记的RGBD对象视频数据集。我们利用这些数据在野外概括了类别级别的6D对象姿势效果，并通过半监督学习。我们提出了一个新模型，称为呈现姿势估计网络reponet，该模型使用带有合成数据的自由地面真实性共同训练，以及在现实世界数据上具有轮廓匹配的目标函数。在不使用实际数据上的任何3D注释的情况下，我们的方法优于先前数据集上的最先进方法，而我们的WILD6D测试集（带有手动注释进行评估）则优于较大的边距。带有WILD6D数据的项目页面：https：//oasisyang.github.io/semi-pose。

We propose a method for in-hand 3D scanning of an unknown object from a sequence of color images. We cast the problem as reconstructing the object surface from un-posed multi-view images and rely on a neural implicit surface representation that captures both the geometry and the appearance of the object. By contrast with most NeRF-based methods, we do not assume that the camera-object relative poses are known and instead simultaneously optimize both the object shape and the pose trajectory. As global optimization over all the shape and pose parameters is prone to fail without coarse-level initialization of the poses, we propose an incremental approach which starts by splitting the sequence into carefully selected overlapping segments within which the optimization is likely to succeed. We incrementally reconstruct the object shape and track the object poses independently within each segment, and later merge all the segments by aligning poses estimated at the overlapping frames. Finally, we perform a global optimization over all the aligned segments to achieve full reconstruction. We experimentally show that the proposed method is able to reconstruct the shape and color of both textured and challenging texture-less objects, outperforms classical methods that rely only on appearance features, and its performance is close to recent methods that assume known camera poses.

从2D图像中学习可变形的3D对象通常是一个不适的问题。现有方法依赖于明确的监督来建立多视图对应关系，例如模板形状模型和关键点注释，这将其在“野外”中的对象上限制了。建立对应关系的一种更自然的方法是观看四处移动的对象的视频。在本文中，我们介绍了Dove，一种方法，可以从在线可用的单眼视频中学习纹理的3D模型，而无需关键点，视点或模板形状监督。通过解决对称性诱导的姿势歧义并利用视频中的时间对应关系，该模型会自动学会从每个单独的RGB框架中分解3D形状，表达姿势和纹理，并准备在测试时间进行单像推断。在实验中，我们表明现有方法无法学习明智的3D形状，而无需其他关键点或模板监督，而我们的方法在时间上产生了时间一致的3D模型，可以从任意角度来对其进行动画和呈现。

估计对象的6D姿势是必不可少的计算机视觉任务。但是，大多数常规方法从单个角度依赖相机数据，因此遭受遮挡。我们通过称为MV6D的新型多视图6D姿势估计方法克服了这个问题，该方法从多个角度根据RGB-D图像准确地预测了混乱场景中所有对象的6D姿势。我们将方法以PVN3D网络为基础，该网络使用单个RGB-D图像来预测目标对象的关键点。我们通过从多个视图中使用组合点云来扩展此方法，并将每个视图中的图像与密集层层融合。与当前的多视图检测网络（例如Cosypose）相反，我们的MV6D可以以端到端的方式学习多个观点的融合，并且不需要多个预测阶段或随后对预测的微调。此外，我们介绍了三个新颖的影像学数据集，这些数据集具有沉重的遮挡的混乱场景。所有这些都从多个角度包含RGB-D图像，例如语义分割和6D姿势估计。即使在摄像头不正确的情况下，MV6D也明显优于多视图6D姿势估计中最新的姿势估计。此外，我们表明我们的方法对动态相机设置具有强大的态度，并且其准确性随着越来越多的观点而逐渐增加。

从单个RGB图像预测3D形状和静态对象的姿势是现代计算机视觉中的重要研究区域。其应用范围从增强现实到机器人和数字内容创建。通常，通过直接对象形状和姿势预测来执行此任务，该任务是不准确的。有希望的研究方向通过从大规模数据库中检索CAD模型并将它们对准到图像中观察到的对象来确保有意义的形状预测。然而，现有的工作并没有考虑到对象几何，导致对象姿态预测不准确，特别是对于未经看法。在这项工作中，我们演示了如何从RGB图像到呈现的CAD模型的跨域Keypoint匹配如何允许更精确的对象姿态预测与通过直接预测所获得的那些相比。我们进一步表明，关键点匹配不仅可以用于估计对象的姿势，还可以用于修改对象本身的形状。这与单独使用对象检索可以实现的准确性是重要的，其固有地限于可用的CAD模型。允许形状适配桥接检索到的CAD模型与观察到的形状之间的间隙。我们在挑战PIX3D数据集上展示了我们的方法。所提出的几何形状预测将AP网格改善在所看到的物体上的33.2至37.8上的33.2至37.8。未经证明对象的8.2至17.1。此外，在遵循所提出的形状适应时，我们展示了更准确的形状预测而不会与CAD模型紧密匹配。代码在HTTPS://github.com/florianlanger/leveraging_geometry_for_shape_eStimation上公开使用。

由于真实的3D注释的类别数据的不可用，在合成数据集中，传统的学习3D对象类别的方法主要受到培训和评估。我们的主要目标是通过在与现有的合成对应物类似的幅度下收集现实世界数据来促进该领域的进步。因此，这项工作的主要贡献是一个大型数据集，称为3D中的常见对象，具有使用相机姿势和地面真相3D点云注释的对象类别的真实多视图图像。 DataSet总共包含从50 MS-Coco类别的近19,000个视频中捕获对象的150万帧，因此，在类别和对象的数量方面，它比替代更大。我们利用这款新数据集进行了几个新型综合和以类别为中心的3D重建方法的第一个大规模“野外”评估。最后，我们贡献了一种新型的神经渲染方法，它利用强大的变压器来重建对象，给出少量的视图。 CO3D DataSet可在HTTPS://github.com/facebookResearch/co3d获取。

We introduce MegaPose, a method to estimate the 6D pose of novel objects, that is, objects unseen during training. At inference time, the method only assumes knowledge of (i) a region of interest displaying the object in the image and (ii) a CAD model of the observed object. The contributions of this work are threefold. First, we present a 6D pose refiner based on a render&compare strategy which can be applied to novel objects. The shape and coordinate system of the novel object are provided as inputs to the network by rendering multiple synthetic views of the object's CAD model. Second, we introduce a novel approach for coarse pose estimation which leverages a network trained to classify whether the pose error between a synthetic rendering and an observed image of the same object can be corrected by the refiner. Third, we introduce a large-scale synthetic dataset of photorealistic images of thousands of objects with diverse visual and shape properties and show that this diversity is crucial to obtain good generalization performance on novel objects. We train our approach on this large synthetic dataset and apply it without retraining to hundreds of novel objects in real images from several pose estimation benchmarks. Our approach achieves state-of-the-art performance on the ModelNet and YCB-Video datasets. An extensive evaluation on the 7 core datasets of the BOP challenge demonstrates that our approach achieves performance competitive with existing approaches that require access to the target objects during training. Code, dataset and trained models are available on the project page: https://megapose6d.github.io/.