In this paper, we introduce neural texture learning for 6D object pose estimation from synthetic data and a few unlabelled real images. Our major contribution is a novel learning scheme which removes the drawbacks of previous works, namely the strong dependency on co-modalities or additional refinement. These have been previously necessary to provide training signals for convergence. We formulate such a scheme as two sub-optimisation problems on texture learning and pose learning. We separately learn to predict realistic texture of objects from real image collections and learn pose estimation from pixel-perfect synthetic data. Combining these two capabilities allows then to synthesise photorealistic novel views to supervise the pose estimator with accurate geometry. To alleviate pose noise and segmentation imperfection present during the texture learning phase, we propose a surfel-based adversarial training loss together with texture regularisation from synthetic data. We demonstrate that the proposed approach significantly outperforms the recent state-of-the-art methods without ground-truth pose annotations and demonstrates substantial generalisation improvements towards unseen scenes. Remarkably, our scheme improves the adopted pose estimators substantially even when initialised with much inferior performance.

We introduce ViewNeRF, a Neural Radiance Field-based viewpoint estimation method that learns to predict category-level viewpoints directly from images during training. While NeRF is usually trained with ground-truth camera poses, multiple extensions have been proposed to reduce the need for this expensive supervision. Nonetheless, most of these methods still struggle in complex settings with large camera movements, and are restricted to single scenes, i.e. they cannot be trained on a collection of scenes depicting the same object category. To address these issues, our method uses an analysis by synthesis approach, combining a conditional NeRF with a viewpoint predictor and a scene encoder in order to produce self-supervised reconstructions for whole object categories. Rather than focusing on high fidelity reconstruction, we target efficient and accurate viewpoint prediction in complex scenarios, e.g. 360{\deg} rotation on real data. Our model shows competitive results on synthetic and real datasets, both for single scenes and multi-instance collections.

Understanding the 3D world without supervision is currently a major challenge in computer vision as the annotations required to supervise deep networks for tasks in this domain are expensive to obtain on a large scale. In this paper, we address the problem of unsupervised viewpoint estimation. We formulate this as a self-supervised learning task, where image reconstruction provides the supervision needed to predict the camera viewpoint. Specifically, we make use of pairs of images of the same object at training time, from unknown viewpoints, to self-supervise training by combining the viewpoint information from one image with the appearance information from the other. We demonstrate that using a perspective spatial transformer allows efficient viewpoint learning, outperforming existing unsupervised approaches on synthetic data, and obtains competitive results on the challenging PASCAL3D+ dataset.

在本文中，我们提出了一个迭代的自我训练框架，用于SIM到现实的6D对象姿势估计，以促进具有成本效益的机器人抓钩。给定bin选择场景，我们建立了一个光真实的模拟器来合成丰富的虚拟数据，并使用它来训练初始姿势估计网络。然后，该网络扮演教师模型的角色，该模型为未标记的真实数据生成了姿势预测。有了这些预测，我们进一步设计了一个全面的自适应选择方案，以区分可靠的结果，并将它们作为伪标签来更新学生模型以估算真实数据。为了不断提高伪标签的质量，我们通过将受过训练的学生模型作为新老师并使用精致的教师模型重新标记实际数据来迭代上述步骤。我们在公共基准和新发布的数据集上评估了我们的方法，分别提高了11.49％和22.62％的方法。我们的方法还能够将机器人箱的成功成功提高19.54％，这表明了对机器人应用的迭代SIM到现实解决方案的潜力。

6D object pose estimation problem has been extensively studied in the field of Computer Vision and Robotics. It has wide range of applications such as robot manipulation, augmented reality, and 3D scene understanding. With the advent of Deep Learning, many breakthroughs have been made; however, approaches continue to struggle when they encounter unseen instances, new categories, or real-world challenges such as cluttered backgrounds and occlusions. In this study, we will explore the available methods based on input modality, problem formulation, and whether it is a category-level or instance-level approach. As a part of our discussion, we will focus on how 6D object pose estimation can be used for understanding 3D scenes.

我们提出了一种称为DPODV2（密集姿势对象检测器）的三个阶段6 DOF对象检测方法，该方法依赖于致密的对应关系。我们将2D对象检测器与密集的对应关系网络和多视图姿势细化方法相结合，以估计完整的6 DOF姿势。与通常仅限于单眼RGB图像的其他深度学习方法不同，我们提出了一个统一的深度学习网络，允许使用不同的成像方式（RGB或DEPTH）。此外，我们提出了一种基于可区分渲染的新型姿势改进方法。主要概念是在多个视图中比较预测并渲染对应关系，以获得与所有视图中预测的对应关系一致的姿势。我们提出的方法对受控设置中的不同数据方式和培训数据类型进行了严格的评估。主要结论是，RGB在对应性估计中表现出色，而如果有良好的3D-3D对应关系，则深度有助于姿势精度。自然，他们的组合可以实现总体最佳性能。我们进行广泛的评估和消融研究，以分析和验证几个具有挑战性的数据集的结果。 DPODV2在所有这些方面都取得了出色的成果，同时仍然保持快速和可扩展性，独立于使用的数据模式和培训数据的类型

我们提出了IM2NERF，这是一个学习框架，该框架可以预测在野生中给出单个输入图像的连续神经对象表示，仅通过现成的识别方法进行分割输出而受到监督。构建神经辐射场的标准方法利用了多视图的一致性，需要对场景的许多校准视图，这一要求在野外学习大规模图像数据时无法满足。我们通过引入一个模型将输入图像编码到包含对象形状的代码，对象外观代码以及捕获对象图像的估计相机姿势的模型来迈出解决此缺点的一步。我们的模型条件在预测的对象表示上nerf，并使用卷渲染来从新视图中生成图像。我们将模型端到端训练大量输入图像。由于该模型仅配有单视图像，因此问题高度不足。因此，除了在合成的输入视图上使用重建损失外，我们还对新颖的视图使用辅助对手损失。此外，我们利用对象对称性和循环摄像头的姿势一致性。我们在Shapenet数据集上进行了广泛的定量和定性实验，并在开放图像数据集上进行了定性实验。我们表明，在所有情况下，IM2NERF都从野外的单视图像中实现了新视图合成的最新性能。

我们引入了一个相机重新定位管道，该管道结合了绝对姿势回归（APR）和直接功能匹配。通过结合曝光自适应的新视图综合，我们的方法成功地解决了现有基于光度法方法无法处理的室外环境中的光度扭曲。借助域不变的功能匹配，我们的解决方案通过对未标记数据的半监督学习提高了姿势回归精度。特别是，该管道由两个组成部分组成：新型视图合成器和DFNET。前者综合了新的视图，以补偿暴露的变化，后者会回归摄像头的姿势，并提取了可靠的功能，这些特征弥补了真实图像和合成图像之间的域间隙。此外，我们引入了在线合成数据生成方案。我们表明，这些方法有效地增强了室内和室外场景中的相机姿势估计。因此，我们的方法通过优于现有的单位图APR方法高达56％，可与基于3D结构的方法相当。

我们向渲染和时间（4D）重建人类的渲染和时间（4D）重建的神经辐射场，通过稀疏的摄像机捕获或甚至来自单眼视频。我们的方法将思想与神经场景表示，新颖的综合合成和隐式统计几何人称的人类表示相结合，耦合使用新颖的损失功能。在先前使用符号距离功能表示的结构化隐式人体模型，而不是使用统一的占用率来学习具有统一占用的光域字段。这使我们能够从稀疏视图中稳健地融合信息，并概括超出在训练中观察到的姿势或视图。此外，我们应用几何限制以共同学习观察到的主题的结构 - 包括身体和衣服 - 并将辐射场正规化为几何合理的解决方案。在多个数据集上的广泛实验证明了我们方法的稳健性和准确性，其概括能力显着超出了一系列的姿势和视图，以及超出所观察到的形状的统计外推。

6D对象姿势估计是计算机视觉和机器人研究中的基本问题之一。尽管最近在同一类别内将姿势估计概括为新的对象实例（即类别级别的6D姿势估计）方面已做出了许多努力，但考虑到有限的带注释数据，它仍然在受限的环境中受到限制。在本文中，我们收集了Wild6D，这是一种具有不同实例和背景的新的未标记的RGBD对象视频数据集。我们利用这些数据在野外概括了类别级别的6D对象姿势效果，并通过半监督学习。我们提出了一个新模型，称为呈现姿势估计网络reponet，该模型使用带有合成数据的自由地面真实性共同训练，以及在现实世界数据上具有轮廓匹配的目标函数。在不使用实际数据上的任何3D注释的情况下，我们的方法优于先前数据集上的最先进方法，而我们的WILD6D测试集（带有手动注释进行评估）则优于较大的边距。带有WILD6D数据的项目页面：https：//oasisyang.github.io/semi-pose。

综合照片 - 现实图像和视频是计算机图形的核心，并且是几十年的研究焦点。传统上，使用渲染算法（如光栅化或射线跟踪）生成场景的合成图像，其将几何形状和材料属性的表示为输入。统称，这些输入定义了实际场景和呈现的内容，并且被称为场景表示（其中场景由一个或多个对象组成）。示例场景表示是具有附带纹理的三角形网格（例如，由艺术家创建），点云（例如，来自深度传感器），体积网格（例如，来自CT扫描）或隐式曲面函数（例如，截短的符号距离）字段）。使用可分辨率渲染损耗的观察结果的这种场景表示的重建被称为逆图形或反向渲染。神经渲染密切相关，并将思想与经典计算机图形和机器学习中的思想相结合，以创建用于合成来自真实观察图像的图像的算法。神经渲染是朝向合成照片现实图像和视频内容的目标的跨越。近年来，我们通过数百个出版物显示了这一领域的巨大进展，这些出版物显示了将被动组件注入渲染管道的不同方式。这种最先进的神经渲染进步的报告侧重于将经典渲染原则与学习的3D场景表示结合的方法，通常现在被称为神经场景表示。这些方法的一个关键优势在于它们是通过设计的3D-一致，使诸如新颖的视点合成捕获场景的应用。除了处理静态场景的方法外，我们还涵盖了用于建模非刚性变形对象的神经场景表示...

We introduce Structured 3D Features, a model based on a novel implicit 3D representation that pools pixel-aligned image features onto dense 3D points sampled from a parametric, statistical human mesh surface. The 3D points have associated semantics and can move freely in 3D space. This allows for optimal coverage of the person of interest, beyond just the body shape, which in turn, additionally helps modeling accessories, hair, and loose clothing. Owing to this, we present a complete 3D transformer-based attention framework which, given a single image of a person in an unconstrained pose, generates an animatable 3D reconstruction with albedo and illumination decomposition, as a result of a single end-to-end model, trained semi-supervised, and with no additional postprocessing. We show that our S3F model surpasses the previous state-of-the-art on various tasks, including monocular 3D reconstruction, as well as albedo and shading estimation. Moreover, we show that the proposed methodology allows novel view synthesis, relighting, and re-posing the reconstruction, and can naturally be extended to handle multiple input images (e.g. different views of a person, or the same view, in different poses, in video). Finally, we demonstrate the editing capabilities of our model for 3D virtual try-on applications.

代表物体粒度的场景是场景理解和决策的先决条件。我们提出PrisMoNet，一种基于先前形状知识的新方法，用于学习多对象3D场景分解和来自单个图像的表示。我们的方法学会在平面曲面上分解具有多个对象的合成场景的图像，进入其组成场景对象，并从单个视图推断它们的3D属性。经常性编码器从输入的RGB图像中回归3D形状，姿势和纹理的潜在表示。通过可差异化的渲染，我们培训我们的模型以自我监督方式从RGB-D图像中分解场景。 3D形状在功能空间中连续表示，作为我们以监督方式从示例形状预先训练的符号距离函数。这些形状的前沿提供弱监管信号，以更好地条件挑战整体学习任务。我们评估我们模型在推断3D场景布局方面的准确性，展示其生成能力，评估其对真实图像的概括，并指出了学习的表示的益处。

光有许多可以通过视觉传感器被动测量的特性。色带分离波长和强度可以说是单眼6D对象姿态估计的最常用的波长。本文探讨了互补偏振信息的互补信息，即光波振荡的方向，可以影响姿态预测的准确性。一种混合模型，利用数据驱动的学习策略共同利用物理代理，并在具有不同量的光度复杂度的物体上进行设计和仔细测试。我们的设计不仅显着提高了与光度 - 最先进的方法相关的姿态精度，而且还使对象姿势估计用于高反射性和透明的物体。

用于运动中的人类的新型视图综合是一个具有挑战性的计算机视觉问题，使得诸如自由视视频之类的应用。现有方法通常使用具有多个输入视图，3D监控或预训练模型的复杂设置，这些模型不会概括为新标识。旨在解决这些限制，我们提出了一种新颖的视图综合框架，以从单视图传感器捕获的任何人的看法生成现实渲染，其具有稀疏的RGB-D，类似于低成本深度摄像头，而没有参与者特定的楷模。我们提出了一种架构来学习由基于球体的神经渲染获得的小说视图中的密集功能，并使用全局上下文修复模型创建完整的渲染。此外，增强剂网络利用了整体保真度，即使在原始视图中的遮挡区域中也能够产生细节的清晰渲染。我们展示了我们的方法为单个稀疏RGB-D输入产生高质量的合成和真实人体演员的新颖视图。它概括了看不见的身份，新的姿势，忠实地重建面部表情。我们的方法优于现有人体观测合成方法，并且对不同水平的输入稀疏性具有稳健性。

尽管神经辐射场（NERF）迅速发展，但稠密的必要性在很大程度上禁止其更广泛的应用。尽管最近的一些作品试图解决这个问题，但它们要么以稀疏的视图（仍然是其中的一些）操作，要么在简单的对象/场景上运行。在这项工作中，我们考虑了一项更雄心勃勃的任务：通过“只看一次”，即仅使用单个视图来训练神经辐射场，而是在现实的复杂视觉场景上。为了实现这一目标，我们提出了一个视图NERF（SINNERF）框架，该框架由精心设计的语义和几何正规化组成。具体而言，Sinnerf构建了一个半监督的学习过程，我们在其中介绍并传播几何标签和语义伪标签，以指导渐进式训练过程。广泛的实验是在复杂的场景基准上进行的，包括NERF合成数据集，本地光场融合数据集和DTU数据集。我们表明，即使在多视图数据集上进行预训练，Sinnerf也可以产生照片现实的新型视图合成结果。在单个图像设置下，Sinnerf在所有情况下都显着胜过当前最新的NERF基线。项目页面：https：//vita-group.github.io/sinnerf/

手工姿势和形状估计研究领域的数据集和工具的数量和质量作为所做的重大进展的证据。然而，即使是迄今为止报告的最高质量的数据集，也具有注释的缺点。我们提出了一种基于可分辨率的射线跟踪的细化方法，并演示了如何具有高质量的公共可用的，双摄像机数据集（Interwand2.6m）可以成为一个更好的数据集，相对于注释质量。到目前为止，迄今未采用可分辨率的射线跟踪，特此被证明优于过去已经采用的近似替代品。为了解决缺乏可靠的地面真理，就量化评估而言，我们求助于现实的合成数据，表明我们诱导的改进确实很重要。通过视觉评估，实际数据中的实际数据也是如此。

We introduce MegaPose, a method to estimate the 6D pose of novel objects, that is, objects unseen during training. At inference time, the method only assumes knowledge of (i) a region of interest displaying the object in the image and (ii) a CAD model of the observed object. The contributions of this work are threefold. First, we present a 6D pose refiner based on a render&compare strategy which can be applied to novel objects. The shape and coordinate system of the novel object are provided as inputs to the network by rendering multiple synthetic views of the object's CAD model. Second, we introduce a novel approach for coarse pose estimation which leverages a network trained to classify whether the pose error between a synthetic rendering and an observed image of the same object can be corrected by the refiner. Third, we introduce a large-scale synthetic dataset of photorealistic images of thousands of objects with diverse visual and shape properties and show that this diversity is crucial to obtain good generalization performance on novel objects. We train our approach on this large synthetic dataset and apply it without retraining to hundreds of novel objects in real images from several pose estimation benchmarks. Our approach achieves state-of-the-art performance on the ModelNet and YCB-Video datasets. An extensive evaluation on the 7 core datasets of the BOP challenge demonstrates that our approach achieves performance competitive with existing approaches that require access to the target objects during training. Code, dataset and trained models are available on the project page: https://megapose6d.github.io/.

Existing neural rendering methods for creating human avatars typically either require dense input signals such as video or multi-view images, or leverage a learned prior from large-scale specific 3D human datasets such that reconstruction can be performed with sparse-view inputs. Most of these methods fail to achieve realistic reconstruction when only a single image is available. To enable the data-efficient creation of realistic animatable 3D humans, we propose ELICIT, a novel method for learning human-specific neural radiance fields from a single image. Inspired by the fact that humans can easily reconstruct the body geometry and infer the full-body clothing from a single image, we leverage two priors in ELICIT: 3D geometry prior and visual semantic prior. Specifically, ELICIT introduces the 3D body shape geometry prior from a skinned vertex-based template model (i.e., SMPL) and implements the visual clothing semantic prior with the CLIP-based pre-trained models. Both priors are used to jointly guide the optimization for creating plausible content in the invisible areas. In order to further improve visual details, we propose a segmentation-based sampling strategy that locally refines different parts of the avatar. Comprehensive evaluations on multiple popular benchmarks, including ZJU-MoCAP, Human3.6M, and DeepFashion, show that ELICIT has outperformed current state-of-the-art avatar creation methods when only a single image is available. Code will be public for reseach purpose at https://elicit3d.github.io .

The neural radiance field (NeRF) has shown promising results in preserving the fine details of objects and scenes. However, unlike mesh-based representations, it remains an open problem to build dense correspondences across different NeRFs of the same category, which is essential in many downstream tasks. The main difficulties of this problem lie in the implicit nature of NeRF and the lack of ground-truth correspondence annotations. In this paper, we show it is possible to bypass these challenges by leveraging the rich semantics and structural priors encapsulated in a pre-trained NeRF-based GAN. Specifically, we exploit such priors from three aspects, namely 1) a dual deformation field that takes latent codes as global structural indicators, 2) a learning objective that regards generator features as geometric-aware local descriptors, and 3) a source of infinite object-specific NeRF samples. Our experiments demonstrate that such priors lead to 3D dense correspondence that is accurate, smooth, and robust. We also show that established dense correspondence across NeRFs can effectively enable many NeRF-based downstream applications such as texture transfer.