Representing and synthesizing novel views in real-world dynamic scenes from casual monocular videos is a long-standing problem. Existing solutions typically approach dynamic scenes by applying geometry techniques or utilizing temporal information between several adjacent frames without considering the underlying background distribution in the entire scene or the transmittance over the ray dimension, limiting their performance on static and occlusion areas. Our approach $\textbf{D}$istribution-$\textbf{D}$riven neural radiance fields offers high-quality view synthesis and a 3D solution to $\textbf{D}$etach the background from the entire $\textbf{D}$ynamic scene, which is called $\text{D}^4$NeRF. Specifically, it employs a neural representation to capture the scene distribution in the static background and a 6D-input NeRF to represent dynamic objects, respectively. Each ray sample is given an additional occlusion weight to indicate the transmittance lying in the static and dynamic components. We evaluate $\text{D}^4$NeRF on public dynamic scenes and our urban driving scenes acquired from an autonomous-driving dataset. Extensive experiments demonstrate that our approach outperforms previous methods in rendering texture details and motion areas while also producing a clean static background. Our code will be released at https://github.com/Luciferbobo/D4NeRF.
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Figure 1: Our method can synthesize novel views in both space and time from a single monocular video of a dynamic scene. Here we show video results with various configurations of fixing and interpolating view and time (left), as well as a visualization of the recovered scene geometry (right). Please view with Adobe Acrobat or KDE Okular to see animations.
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https://video-nerf.github.io Figure 1. Our method takes a single casually captured video as input and learns a space-time neural irradiance field. (Top) Sample frames from the input video. (Middle) Novel view images rendered from textured meshes constructed from depth maps. (Bottom) Our results rendered from the proposed space-time neural irradiance field.
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We address the problem of synthesizing novel views from a monocular video depicting a complex dynamic scene. State-of-the-art methods based on temporally varying Neural Radiance Fields (aka dynamic NeRFs) have shown impressive results on this task. However, for long videos with complex object motions and uncontrolled camera trajectories, these methods can produce blurry or inaccurate renderings, hampering their use in real-world applications. Instead of encoding the entire dynamic scene within the weights of an MLP, we present a new approach that addresses these limitations by adopting a volumetric image-based rendering framework that synthesizes new viewpoints by aggregating features from nearby views in a scene-motion-aware manner. Our system retains the advantages of prior methods in its ability to model complex scenes and view-dependent effects, but also enables synthesizing photo-realistic novel views from long videos featuring complex scene dynamics with unconstrained camera trajectories. We demonstrate significant improvements over state-of-the-art methods on dynamic scene datasets, and also apply our approach to in-the-wild videos with challenging camera and object motion, where prior methods fail to produce high-quality renderings. Our project webpage is at dynibar.github.io.
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我们提出了一种便携式多型摄像头系统,该系统具有专用模型,用于动态场景中的新型视图和时间综合。我们的目标是使用我们的便携式多座相机从任何角度从任何角度出发为动态场景提供高质量的图像。为了实现这种新颖的观点和时间综合,我们开发了一个配备了五个相机的物理多型摄像头,以在时间和空间域中训练神经辐射场(NERF),以进行动态场景。我们的模型将6D坐标(3D空间位置,1D时间坐标和2D观看方向)映射到观看依赖性且随时间变化的发射辐射和体积密度。量渲染用于在指定的相机姿势和时间上渲染光真实的图像。为了提高物理相机的鲁棒性,我们提出了一个摄像机参数优化模块和一个时间框架插值模块,以促进跨时间的信息传播。我们对现实世界和合成数据集进行了实验以评估我们的系统,结果表明,我们的方法在定性和定量上优于替代解决方案。我们的代码和数据集可从https://yuenfuilau.github.io获得。
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Point of View & TimeFigure 1: We propose D-NeRF, a method for synthesizing novel views, at an arbitrary point in time, of dynamic scenes with complex non-rigid geometries. We optimize an underlying deformable volumetric function from a sparse set of input monocular views without the need of ground-truth geometry nor multi-view images. The figure shows two scenes under variable points of view and time instances synthesised by the proposed model.
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给定一个单眼视频,在恢复静态环境时进行分割和解耦动态对象是机器智能中广泛研究的问题。现有的解决方案通常在图像域中解决此问题,从而限制其对环境的性能和理解。我们介绍了脱钩的动态神经辐射场(D $^2 $ nerf),这是一种自制的方法,采用单眼视频,并学习了一个3D场景表示,该表示将移动对象(包括它们的阴影)从静态背景中解脱出来。我们的方法通过两个单独的神经辐射场表示移动对象和静态背景,只有一个允许时间变化。这种方法的幼稚实现导致动态组件接管静态的成分,因为前者的表示本质上更一般并且容易过度拟合。为此,我们提出了一种新颖的损失,以促进现象的正确分离。我们进一步提出了一个阴影场网络,以检测和解除动态移动的阴影。我们介绍了一个新的数据集,其中包含各种动态对象和阴影,并证明我们的方法可以在解耦动态和静态3D对象,遮挡和阴影删除以及移动对象的图像分段中获得比最新方法更好的性能。
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Figure 1. Given a monocular image sequence, NR-NeRF reconstructs a single canonical neural radiance field to represent geometry and appearance, and a per-time-step deformation field. We can render the scene into a novel spatio-temporal camera trajectory that significantly differs from the input trajectory. NR-NeRF also learns rigidity scores and correspondences without direct supervision on either. We can use the rigidity scores to remove the foreground, we can supersample along the time dimension, and we can exaggerate or dampen motion.
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由于其显着的合成质量,最近,神经辐射场(NERF)最近对3D场景重建和新颖的视图合成进行了相当大的关注。然而,由散焦或运动引起的图像模糊,这通常发生在野外的场景中,显着降低了其重建质量。为了解决这个问题,我们提出了DeBlur-nerf,这是一种可以从模糊输入恢复尖锐的nerf的第一种方法。我们采用逐合成方法来通过模拟模糊过程来重建模糊的视图,从而使NERF对模糊输入的鲁棒。该仿真的核心是一种新型可变形稀疏内核(DSK)模块,其通过在每个空间位置变形规范稀疏内核来模拟空间变形模糊内核。每个内核点的射线起源是共同优化的,受到物理模糊过程的启发。该模块作为MLP参数化,具有能够概括为各种模糊类型。联合优化NERF和DSK模块允许我们恢复尖锐的NERF。我们证明我们的方法可用于相机运动模糊和散焦模糊:真实场景中的两个最常见的模糊。合成和现实世界数据的评估结果表明,我们的方法优于几个基线。合成和真实数据集以及源代码将公开可用于促进未来的研究。
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3D reconstruction and novel view synthesis of dynamic scenes from collections of single views recently gained increased attention. Existing work shows impressive results for synthetic setups and forward-facing real-world data, but is severely limited in the training speed and angular range for generating novel views. This paper addresses these limitations and proposes a new method for full 360{\deg} novel view synthesis of non-rigidly deforming scenes. At the core of our method are: 1) An efficient deformation module that decouples the processing of spatial and temporal information for acceleration at training and inference time; and 2) A static module representing the canonical scene as a fast hash-encoded neural radiance field. We evaluate the proposed approach on the established synthetic D-NeRF benchmark, that enables efficient reconstruction from a single monocular view per time-frame randomly sampled from a full hemisphere. We refer to this form of inputs as monocularized data. To prove its practicality for real-world scenarios, we recorded twelve challenging sequences with human actors by sampling single frames from a synchronized multi-view rig. In both cases, our method is trained significantly faster than previous methods (minutes instead of days) while achieving higher visual accuracy for generated novel views. Our source code and data is available at our project page https://graphics.tu-bs.de/publications/kappel2022fast.
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Image view synthesis has seen great success in reconstructing photorealistic visuals, thanks to deep learning and various novel representations. The next key step in immersive virtual experiences is view synthesis of dynamic scenes. However, several challenges exist due to the lack of high-quality training datasets, and the additional time dimension for videos of dynamic scenes. To address this issue, we introduce a multi-view video dataset, captured with a custom 10-camera rig in 120FPS. The dataset contains 96 high-quality scenes showing various visual effects and human interactions in outdoor scenes. We develop a new algorithm, Deep 3D Mask Volume, which enables temporally-stable view extrapolation from binocular videos of dynamic scenes, captured by static cameras. Our algorithm addresses the temporal inconsistency of disocclusions by identifying the error-prone areas with a 3D mask volume, and replaces them with static background observed throughout the video. Our method enables manipulation in 3D space as opposed to simple 2D masks, We demonstrate better temporal stability than frame-by-frame static view synthesis methods, or those that use 2D masks. The resulting view synthesis videos show minimal flickering artifacts and allow for larger translational movements.
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我们呈现高动态范围神经辐射字段(HDR-NERF),以从一组低动态范围(LDR)视图的HDR辐射率字段与不同的曝光。使用HDR-NERF,我们能够在不同的曝光下生成新的HDR视图和新型LDR视图。我们方法的关键是模拟物理成像过程,该过程决定了场景点的辐射与具有两个隐式功能的LDR图像中的像素值转换为:RADIACE字段和音调映射器。辐射场对场景辐射(值在0到+末端之间的值变化),其通过提供相应的射线源和光线方向来输出光线的密度和辐射。 TONE MAPPER模拟映射过程,即在相机传感器上击中的光线变为像素值。通过将辐射和相应的曝光时间送入音调映射器来预测光线的颜色。我们使用经典的卷渲染技术将输出辐射,颜色和密度投影为HDR和LDR图像,同时只使用输入的LDR图像作为监控。我们收集了一个新的前瞻性的HDR数据集,以评估所提出的方法。综合性和现实世界场景的实验结果验证了我们的方法不仅可以准确控制合成视图的曝光,还可以用高动态范围呈现视图。
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最近的神经人类表示可以产生高质量的多视图渲染,但需要使用密集的多视图输入和昂贵的培训。因此,它们在很大程度上仅限于静态模型,因为每个帧都是不可行的。我们展示了人类学 - 一种普遍的神经表示 - 用于高保真自由观察动态人类的合成。类似于IBRNET如何通过避免每场景训练来帮助NERF,Humannerf跨多视图输入采用聚合像素对准特征,以及用于解决动态运动的姿势嵌入的非刚性变形场。原始人物员已经可以在稀疏视频输入的稀疏视频输入上产生合理的渲染。为了进一步提高渲染质量,我们使用外观混合模块增强了我们的解决方案,用于组合神经体积渲染和神经纹理混合的益处。各种多视图动态人类数据集的广泛实验证明了我们在挑战运动中合成照片 - 现实自由观点的方法和非常稀疏的相机视图输入中的普遍性和有效性。
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我们介绍了神经点光场,它用稀疏点云上的轻场隐含地表示场景。结合可分辨率的体积渲染与学习的隐式密度表示使得可以合成用于小型场景的新颖视图的照片现实图像。作为神经体积渲染方法需要潜在的功能场景表示的浓密采样,在沿着射线穿过体积的数百个样本,它们从根本上限制在具有投影到数百个训练视图的相同对象的小场景。向神经隐式光线推广稀疏点云允许我们有效地表示每个光线的单个隐式采样操作。这些点光场作为光线方向和局部点特征邻域的函数,允许我们在没有密集的物体覆盖和视差的情况下插入光场条件训练图像。我们评估大型驾驶场景的新型视图综合的提出方法,在那里我们综合了现实的看法,即现有的隐式方法未能代表。我们验证了神经点光场可以通过显式建模场景来实现沿着先前轨迹的视频来预测沿着看不见的轨迹的视频。
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这项工作的目标是通过扫描平台捕获的数据进行3D重建和新颖的观看综合,该平台在城市室外环境中常设世界映射(例如,街景)。给定一系列由摄像机和扫描仪通过室外场景的摄像机和扫描仪进行的序列,我们产生可以从中提取3D表面的模型,并且可以合成新颖的RGB图像。我们的方法扩展了神经辐射字段,已经证明了用于在受控设置中的小型场景中的逼真新颖的图像,用于利用异步捕获的LIDAR数据,用于寻址捕获图像之间的曝光变化,以及利用预测的图像分段来监督密度。在光线指向天空。这三个扩展中的每一个都在街道视图数据上的实验中提供了显着的性能改进。我们的系统产生最先进的3D表面重建,并与传统方法(例如〜Colmap)和最近的神经表示(例如〜MIP-NERF)相比,合成更高质量的新颖视图。
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最近,神经辐射场(NERF)正在彻底改变新型视图合成(NVS)的卓越性能。但是,NERF及其变体通常需要进行冗长的每场训练程序,其中将多层感知器(MLP)拟合到捕获的图像中。为了解决挑战,已经提出了体素网格表示,以显着加快训练的速度。但是,这些现有方法只能处理静态场景。如何开发有效,准确的动态视图合成方法仍然是一个开放的问题。将静态场景的方法扩展到动态场景并不简单,因为场景几何形状和外观随时间变化。在本文中,基于素素网格优化的最新进展,我们提出了一种快速变形的辐射场方法来处理动态场景。我们的方法由两个模块组成。第一个模块采用变形网格来存储3D动态功能,以及使用插值功能将观测空间中的3D点映射到规范空间的变形的轻巧MLP。第二个模块包含密度和颜色网格,以建模场景的几何形状和密度。明确对阻塞进行了建模,以进一步提高渲染质量。实验结果表明,我们的方法仅使用20分钟的训练就可以实现与D-NERF相当的性能,该训练比D-NERF快70倍以上,这清楚地证明了我们提出的方法的效率。
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神经辐射场(NERF)具有密集捕获的输入图像实现光真实的视图合成。然而,鉴于稀疏的视图,NERF的几何形状极为严重,从而导致新观点合成质量的显着降解。受到自我监督的深度估计方法的启发,我们提出了structnerf,这是针对稀疏输入的室内场景的新型视图合成的解决方案。 structnerf利用自然嵌入多视图输入中的结构提示来处理NERF中无约束的几何问题。具体而言,它分别解决了纹理和非纹理区域:提出了基于贴片的多视图一致的光度损失来限制纹理区域的几何形状;对于非纹理的,我们明确地将它们限制为3D一致的平面。通过密集的自我监督深度约束,我们的方法可以改善NERF的几何形状和视图综合性能,而无需对外部数据进行任何其他培训。在几个现实世界数据集上进行的广泛实验表明,构造者超过了针对室内场景的最新方法,这些方法具有稀疏输入的定量和定性。
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静态场景的新颖观看综合在生产照片逼真的结果方面取得了显着的进步。但是,对于动态内容的沉浸式渲染,仍然存在关键挑战。例如,一种基于精英图像的渲染框架之一,多平面图像(MPI)为静态场景产生高新的观看合成质量,但面临着建模动态部分的难度。此外,通过MPI建模动态变化可能需要庞大的存储空间和长期推理时间,其阻碍了其在实时方案中的应用。在本文中,我们提出了一种新的颞型MPI表示,其能够在整个视频中以紧凑的时间编码整个视频中的丰富的3D和动态变化信息。由于高度紧凑且表现力的潜在基础和共同学习的系数,任意时间实例的新颖 - 实例将能够实时具有高视觉质量。我们显示给定的可比内存消耗,我们提出的时间 - MPI框架能够生成时间实例MPI,只有0.002秒,速度快3000倍,与其他状态相比,3DB更高的平均视图合成PSNR - 艺术动态场景建模框架。
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在本文中,我们为复杂场景进行了高效且强大的深度学习解决方案。在我们的方法中,3D场景表示为光场,即,一组光线,每组在到达图像平面时具有相应的颜色。对于高效的新颖视图渲染,我们采用了光场的双面参数化,其中每个光线的特征在于4D参数。然后,我们将光场配向作为4D函数,即将4D坐标映射到相应的颜色值。我们训练一个深度完全连接的网络以优化这种隐式功能并记住3D场景。然后,特定于场景的模型用于综合新颖视图。与以前需要密集的视野的方法不同,需要密集的视野采样来可靠地呈现新颖的视图,我们的方法可以通过采样光线来呈现新颖的视图并直接从网络查询每种光线的颜色,从而使高质量的灯场呈现稀疏集合训练图像。网络可以可选地预测每光深度,从而使诸如自动重新焦点的应用。我们的小说视图合成结果与最先进的综合结果相当,甚至在一些具有折射和反射的具有挑战性的场景中优越。我们在保持交互式帧速率和小的内存占地面积的同时实现这一点。
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In this paper, we target at the problem of learning a generalizable dynamic radiance field from monocular videos. Different from most existing NeRF methods that are based on multiple views, monocular videos only contain one view at each timestamp, thereby suffering from ambiguity along the view direction in estimating point features and scene flows. Previous studies such as DynNeRF disambiguate point features by positional encoding, which is not transferable and severely limits the generalization ability. As a result, these methods have to train one independent model for each scene and suffer from heavy computational costs when applying to increasing monocular videos in real-world applications. To address this, We propose MonoNeRF to simultaneously learn point features and scene flows with point trajectory and feature correspondence constraints across frames. More specifically, we learn an implicit velocity field to estimate point trajectory from temporal features with Neural ODE, which is followed by a flow-based feature aggregation module to obtain spatial features along the point trajectory. We jointly optimize temporal and spatial features by training the network in an end-to-end manner. Experiments show that our MonoNeRF is able to learn from multiple scenes and support new applications such as scene editing, unseen frame synthesis, and fast novel scene adaptation.
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