To reproduce the success of text-to-image (T2I) generation, recent works in text-to-video (T2V) generation employ large-scale text-video dataset for fine-tuning. However, such paradigm is computationally expensive. Humans have the amazing ability to learn new visual concepts from just one single exemplar. We hereby study a new T2V generation problem$\unicode{x2014}$One-Shot Video Generation, where only a single text-video pair is presented for training an open-domain T2V generator. Intuitively, we propose to adapt the T2I diffusion model pretrained on massive image data for T2V generation. We make two key observations: 1) T2I models are able to generate images that align well with the verb terms; 2) extending T2I models to generate multiple images concurrently exhibits surprisingly good content consistency. To further learn continuous motion, we propose Tune-A-Video with a tailored Sparse-Causal Attention, which generates videos from text prompts via an efficient one-shot tuning of pretrained T2I diffusion models. Tune-A-Video is capable of producing temporally-coherent videos over various applications such as change of subject or background, attribute editing, style transfer, demonstrating the versatility and effectiveness of our method.

最近，GaN反演方法与对比语言 - 图像预先绘制（CLIP）相结合，可以通过文本提示引导零拍摄图像操作。然而，由于GaN反转能力有限，它们对不同实物的不同实物的应用仍然困难。具体地，这些方法通常在与训练数据相比，改变对象标识或产生不需要的图像伪影的比较与新颖姿势，视图和高度可变内容重建具有新颖姿势，视图和高度可变内容的困难。为了减轻这些问题并实现真实图像的忠实操纵，我们提出了一种新的方法，Dumbused Clip，其使用扩散模型执行文本驱动的图像操纵。基于近期扩散模型的完整反转能力和高质量的图像生成功率，即使在看不见的域之间也成功地执行零拍摄图像操作。此外，我们提出了一种新颖的噪声组合方法，允许简单的多属性操作。与现有基线相比，广泛的实验和人类评估确认了我们的方法的稳健和卓越的操纵性能。

数字艺术合成在多媒体社区中受到越来越多的关注，因为有效地与公众参与了艺术。当前的数字艺术合成方法通常使用单模式输入作为指导，从而限制了模型的表现力和生成结果的多样性。为了解决这个问题，我们提出了多模式引导的艺术品扩散（MGAD）模型，该模型是一种基于扩散的数字艺术品生成方法，它利用多模式提示作为控制无分类器扩散模型的指导。此外，对比度语言图像预处理（剪辑）模型用于统一文本和图像模式。关于生成的数字艺术绘画质量和数量的广泛实验结果证实了扩散模型和多模式指导的组合有效性。代码可从https://github.com/haha-lisa/mgad-multimodal-guided-artwork-diffusion获得。

Recent works on diffusion models have demonstrated a strong capability for conditioning image generation, e.g., text-guided image synthesis. Such success inspires many efforts trying to use large-scale pre-trained diffusion models for tackling a challenging problem--real image editing. Works conducted in this area learn a unique textual token corresponding to several images containing the same object. However, under many circumstances, only one image is available, such as the painting of the Girl with a Pearl Earring. Using existing works on fine-tuning the pre-trained diffusion models with a single image causes severe overfitting issues. The information leakage from the pre-trained diffusion models makes editing can not keep the same content as the given image while creating new features depicted by the language guidance. This work aims to address the problem of single-image editing. We propose a novel model-based guidance built upon the classifier-free guidance so that the knowledge from the model trained on a single image can be distilled into the pre-trained diffusion model, enabling content creation even with one given image. Additionally, we propose a patch-based fine-tuning that can effectively help the model generate images of arbitrary resolution. We provide extensive experiments to validate the design choices of our approach and show promising editing capabilities, including changing style, content addition, and object manipulation. The code is available for research purposes at https://github.com/zhang-zx/SINE.git .

Large-scale diffusion-based generative models have led to breakthroughs in text-conditioned high-resolution image synthesis. Starting from random noise, such text-to-image diffusion models gradually synthesize images in an iterative fashion while conditioning on text prompts. We find that their synthesis behavior qualitatively changes throughout this process: Early in sampling, generation strongly relies on the text prompt to generate text-aligned content, while later, the text conditioning is almost entirely ignored. This suggests that sharing model parameters throughout the entire generation process may not be ideal. Therefore, in contrast to existing works, we propose to train an ensemble of text-to-image diffusion models specialized for different synthesis stages. To maintain training efficiency, we initially train a single model, which is then split into specialized models that are trained for the specific stages of the iterative generation process. Our ensemble of diffusion models, called eDiff-I, results in improved text alignment while maintaining the same inference computation cost and preserving high visual quality, outperforming previous large-scale text-to-image diffusion models on the standard benchmark. In addition, we train our model to exploit a variety of embeddings for conditioning, including the T5 text, CLIP text, and CLIP image embeddings. We show that these different embeddings lead to different behaviors. Notably, the CLIP image embedding allows an intuitive way of transferring the style of a reference image to the target text-to-image output. Lastly, we show a technique that enables eDiff-I's "paint-with-words" capability. A user can select the word in the input text and paint it in a canvas to control the output, which is very handy for crafting the desired image in mind. The project page is available at https://deepimagination.cc/eDiff-I/

随着信息中的各种方式存在于现实世界中的各种方式，多式联信息之间的有效互动和融合在计算机视觉和深度学习研究中的多模式数据的创造和感知中起着关键作用。通过卓越的功率，在多式联运信息中建模互动，多式联运图像合成和编辑近年来已成为一个热门研究主题。与传统的视觉指导不同，提供明确的线索，多式联路指南在图像合成和编辑方面提供直观和灵活的手段。另一方面，该领域也面临着具有固有的模态差距的特征的几个挑战，高分辨率图像的合成，忠实的评估度量等。在本调查中，我们全面地阐述了最近多式联运图像综合的进展根据数据模型和模型架构编辑和制定分类。我们从图像合成和编辑中的不同类型的引导方式开始介绍。然后，我们描述了多模式图像综合和编辑方法，其具有详细的框架，包括生成的对抗网络（GAN），GaN反转，变压器和其他方法，例如NERF和扩散模型。其次是在多模式图像合成和编辑中广泛采用的基准数据集和相应的评估度量的综合描述，以及分析各个优点和限制的不同合成方法的详细比较。最后，我们为目前的研究挑战和未来的研究方向提供了深入了解。与本调查相关的项目可在HTTPS://github.com/fnzhan/mise上获得

Generative models have been widely studied in computer vision. Recently, diffusion models have drawn substantial attention due to the high quality of their generated images. A key desired property of image generative models is the ability to disentangle different attributes, which should enable modification towards a style without changing the semantic content, and the modification parameters should generalize to different images. Previous studies have found that generative adversarial networks (GANs) are inherently endowed with such disentanglement capability, so they can perform disentangled image editing without re-training or fine-tuning the network. In this work, we explore whether diffusion models are also inherently equipped with such a capability. Our finding is that for stable diffusion models, by partially changing the input text embedding from a neutral description (e.g., "a photo of person") to one with style (e.g., "a photo of person with smile") while fixing all the Gaussian random noises introduced during the denoising process, the generated images can be modified towards the target style without changing the semantic content. Based on this finding, we further propose a simple, light-weight image editing algorithm where the mixing weights of the two text embeddings are optimized for style matching and content preservation. This entire process only involves optimizing over around 50 parameters and does not fine-tune the diffusion model itself. Experiments show that the proposed method can modify a wide range of attributes, with the performance outperforming diffusion-model-based image-editing algorithms that require fine-tuning. The optimized weights generalize well to different images. Our code is publicly available at https://github.com/UCSB-NLP-Chang/DiffusionDisentanglement.

We introduce M-VADER: a diffusion model (DM) for image generation where the output can be specified using arbitrary combinations of images and text. We show how M-VADER enables the generation of images specified using combinations of image and text, and combinations of multiple images. Previously, a number of successful DM image generation algorithms have been introduced that make it possible to specify the output image using a text prompt. Inspired by the success of those models, and led by the notion that language was already developed to describe the elements of visual contexts that humans find most important, we introduce an embedding model closely related to a vision-language model. Specifically, we introduce the embedding model S-MAGMA: a 13 billion parameter multimodal decoder combining components from an autoregressive vision-language model MAGMA and biases finetuned for semantic search.

基于文本的运动生成模型正在引起人们对它们在游戏，动画或机器人行业中自动化运动过程的潜力的兴趣激增。在本文中，我们提出了一种基于扩散的运动合成和名为Flame的编辑模型。受扩散模型中最新成功的启发，我们将基于扩散的生成模型集成到运动域中。火焰可以产生与给定文本很好地对齐的高保真动作。此外，它可以编辑运动的各个部分，无论是在框架和联合方面，而无需进行任何微调。火焰涉及我们设计的新的基于变压器的架构，以更好地处理运动数据，这对于管理可变长度运动和良好的自由形式文本至关重要。在实验中，我们表明火焰在三个文本数据集上实现了最新的一代表演：HumanML3D，Babel和Kit。我们还证明，火焰的编辑能力可以扩展到其他任务，例如运动预测或运动内部，这些任务先前已被专用模型涵盖。

There has been a recent explosion of impressive generative models that can produce high quality images (or videos) conditioned on text descriptions. However, all such approaches rely on conditional sentences that contain unambiguous descriptions of scenes and main actors in them. Therefore employing such models for more complex task of story visualization, where naturally references and co-references exist, and one requires to reason about when to maintain consistency of actors and backgrounds across frames/scenes, and when not to, based on story progression, remains a challenge. In this work, we address the aforementioned challenges and propose a novel autoregressive diffusion-based framework with a visual memory module that implicitly captures the actor and background context across the generated frames. Sentence-conditioned soft attention over the memories enables effective reference resolution and learns to maintain scene and actor consistency when needed. To validate the effectiveness of our approach, we extend the MUGEN dataset and introduce additional characters, backgrounds and referencing in multi-sentence storylines. Our experiments for story generation on the MUGEN, the PororoSV and the FlintstonesSV dataset show that our method not only outperforms prior state-of-the-art in generating frames with high visual quality, which are consistent with the story, but also models appropriate correspondences between the characters and the background.

大型文本对图像模型在AI的演变中取得了显着的飞跃，从而使图像从给定的文本提示中实现了高质量和多样化的图像合成。但是，这些模型缺乏在给定的参考集中模仿受试者的外观，并在不同情况下合成它们的新颖性。在这项工作中，我们提出了一种新的方法，用于“个性化”文本图像扩散模型（将它们专门针对用户的需求）。仅作为一个主题的几张图像给出，我们将验证的文本对图像模型（图像，尽管我们的方法不限于特定模型），以便它学会了将唯一标识符与该特定主题结合。一旦将受试者嵌入模型的输出域中，就可以使用唯一标识符来合成主题的完全新颖的光真逼真的图像在不同场景中的上下文化。通过利用具有新的自动构基特异性的先前保存损失的语义先验嵌入到模型中，我们的技术可以在参考图像中未出现的不同场景，姿势，视图和照明条件中合成主题。我们将技术应用于几个以前无用的任务，包括主题重新定义，文本指导的视图合成，外观修改和艺术渲染（所有这些都保留了主题的关键特征）。项目页面：https：//dreambooth.github.io/

DeNoising扩散模型代表了计算机视觉中最新的主题，在生成建模领域表现出了显着的结果。扩散模型是一个基于两个阶段的深层生成模型，一个正向扩散阶段和反向扩散阶段。在正向扩散阶段，通过添加高斯噪声，输入数据在几个步骤中逐渐受到干扰。在反向阶段，模型的任务是通过学习逐步逆转扩散过程来恢复原始输入数据。尽管已知的计算负担，即由于采样过程中涉及的步骤数量，扩散模型对生成样品的质量和多样性得到了广泛赞赏。在这项调查中，我们对视觉中应用的denoising扩散模型的文章进行了全面综述，包括该领域的理论和实际贡献。首先，我们识别并介绍了三个通用扩散建模框架，这些框架基于扩散概率模型，噪声调节得分网络和随机微分方程。我们进一步讨论了扩散模型与其他深层生成模型之间的关系，包括变异自动编码器，生成对抗网络，基于能量的模型，自回归模型和正常流量。然后，我们介绍了计算机视觉中应用的扩散模型的多角度分类。最后，我们说明了扩散模型的当前局限性，并设想了一些有趣的未来研究方向。

Inspired by the impressive performance of recent face image editing methods, several studies have been naturally proposed to extend these methods to the face video editing task. One of the main challenges here is temporal consistency among edited frames, which is still unresolved. To this end, we propose a novel face video editing framework based on diffusion autoencoders that can successfully extract the decomposed features - for the first time as a face video editing model - of identity and motion from a given video. This modeling allows us to edit the video by simply manipulating the temporally invariant feature to the desired direction for the consistency. Another unique strength of our model is that, since our model is based on diffusion models, it can satisfy both reconstruction and edit capabilities at the same time, and is robust to corner cases in wild face videos (e.g. occluded faces) unlike the existing GAN-based methods.

We present Muse, a text-to-image Transformer model that achieves state-of-the-art image generation performance while being significantly more efficient than diffusion or autoregressive models. Muse is trained on a masked modeling task in discrete token space: given the text embedding extracted from a pre-trained large language model (LLM), Muse is trained to predict randomly masked image tokens. Compared to pixel-space diffusion models, such as Imagen and DALL-E 2, Muse is significantly more efficient due to the use of discrete tokens and requiring fewer sampling iterations; compared to autoregressive models, such as Parti, Muse is more efficient due to the use of parallel decoding. The use of a pre-trained LLM enables fine-grained language understanding, translating to high-fidelity image generation and the understanding of visual concepts such as objects, their spatial relationships, pose, cardinality etc. Our 900M parameter model achieves a new SOTA on CC3M, with an FID score of 6.06. The Muse 3B parameter model achieves an FID of 7.88 on zero-shot COCO evaluation, along with a CLIP score of 0.32. Muse also directly enables a number of image editing applications without the need to fine-tune or invert the model: inpainting, outpainting, and mask-free editing. More results are available at https://muse-model.github.io

While generative models produce high-quality images of concepts learned from a large-scale database, a user often wishes to synthesize instantiations of their own concepts (for example, their family, pets, or items). Can we teach a model to quickly acquire a new concept, given a few examples? Furthermore, can we compose multiple new concepts together? We propose Custom Diffusion, an efficient method for augmenting existing text-to-image models. We find that only optimizing a few parameters in the text-to-image conditioning mechanism is sufficiently powerful to represent new concepts while enabling fast tuning (~6 minutes). Additionally, we can jointly train for multiple concepts or combine multiple fine-tuned models into one via closed-form constrained optimization. Our fine-tuned model generates variations of multiple, new concepts and seamlessly composes them with existing concepts in novel settings. Our method outperforms several baselines and concurrent works, regarding both qualitative and quantitative evaluations, while being memory and computationally efficient.

对比性语言图像预测在学习网络尺度数据的视觉文本联合表示方面取得了巨大的成功，这表明了各种图像任务的显着“零射”概括能力。但是，如何有效地将这种新的语言图像预处理方法扩展到视频域仍然是一个开放的问题。在这项工作中，我们提出了一种简单而有效的方法，该方法将预验证的语言图像模型直接适应视频识别，而不是从头开始预处理新模型。更具体地说，为了捕获沿时间维度框架的远距离依赖性，我们提出了一种跨框架注意机制，该机制明确地跨帧交换信息。这样的模块是轻量级的，可以无缝地插入验证的语言图像模型中。此外，我们提出了一个特定于视频的提示方案，该方案利用视频内容信息生成歧视性文本提示。广泛的实验表明，我们的方法是有效的，可以推广到不同的视频识别方案。特别是，在完全监督的设置下，我们的方法在Kinectics-400上获得了最高1的精度为87.1％，而与SWIN-L和Vivit-H相比，使用量少12倍。在零拍摄的实验中，我们的方法超过了当前的最新方法 +7.6％和 +14.9％，而在两个流行协议下，TOP-1的准确性。在少数拍摄的情况下，当标记的数据非常有限时，我们的方法优于先前的最佳方法 +32.1％和 +23.1％。代码和型号可在https://aka.ms/x-clip上找到

Large-scale diffusion models have achieved state-of-the-art results on text-to-image synthesis (T2I) tasks. Despite their ability to generate high-quality yet creative images, we observe that attribution-binding and compositional capabilities are still considered major challenging issues, especially when involving multiple objects. In this work, we improve the compositional skills of T2I models, specifically more accurate attribute binding and better image compositions. To do this, we incorporate linguistic structures with the diffusion guidance process based on the controllable properties of manipulating cross-attention layers in diffusion-based T2I models. We observe that keys and values in cross-attention layers have strong semantic meanings associated with object layouts and content. Therefore, we can better preserve the compositional semantics in the generated image by manipulating the cross-attention representations based on linguistic insights. Built upon Stable Diffusion, a SOTA T2I model, our structured cross-attention design is efficient that requires no additional training samples. We achieve better compositional skills in qualitative and quantitative results, leading to a 5-8% advantage in head-to-head user comparison studies. Lastly, we conduct an in-depth analysis to reveal potential causes of incorrect image compositions and justify the properties of cross-attention layers in the generation process.

可控图像合成模型允许根据文本指令或来自示例图像的指导创建不同的图像。最近，已经显示出去噪扩散概率模型比现有方法产生更现实的图像，并且已在无条件和类条件设置中成功展示。我们探索细粒度，连续控制该模型类，并引入了一种新颖的统一框架，用于语义扩散指导，允许语言或图像指导，或两者。使用图像文本或图像匹配分数的梯度将指导注入预训练的无条件扩散模型中。我们探讨基于剪辑的文本指导，以及以统一形式的基于内容和类型的图像指导。我们的文本引导综合方法可以应用于没有相关文本注释的数据集。我们对FFHQ和LSUN数据集进行实验，并显示出细粒度的文本引导图像合成的结果，与样式或内容示例图像相关的图像的合成，以及具有文本和图像引导的示例。

文本到图像合成的最新进展导致了较大的经过验证的变压器，具有出色的能力，可以从给定文本产生可视化。但是，这些模型不适合专门的任务，例如故事可视化，该任务要求代理商制作一系列图像，给定相应的字幕序列，形成叙述。此外，我们发现故事可视化任务无法适应新叙事中看不见的情节和角色的概括。因此，我们首先提出了故事延续的任务，其中生成的视觉故事是在源图像上进行的，从而可以更好地对具有新角色的叙述进行更好的概括。然后，我们使用特定于（a）顺序图像生成的任务特定模块和（b）从初始帧复制相关元素的任务特定模块来增强或“复古”文本对图像合成模型。然后，我们探讨了预训练模型的全模型芬太尼以及对参数适应的及时调整。我们在两个现有数据集（PororoSV和FlintStonessV）上评估了我们的方法storydall-e，并介绍了从视频吸引数据集收集的新数据集DIDEMOSV。我们还基于生成的对抗网络（GAN）开发了一个模型故事游戏，以进行故事的延续，并将其与StoryDall-E模型进行比较，以展示我们方法的优势。我们表明，我们的复古拟合方法优于基于GAN的模型，用于故事延续，并促进从源图像中复制视觉元素，从而改善了生成的视觉故事中的连续性。最后，我们的分析表明，经过审计的变压器努力理解包含几个角色的叙述。总体而言，我们的工作表明，可以验证的文本对图像合成模型可以适应复杂和低资源的任务，例如故事延续。

利用深度学习的最新进展，文本到图像生成模型目前具有吸引公众关注的优点。其中两个模型Dall-E 2和Imagen已经证明，可以从图像的简单文本描述中生成高度逼真的图像。基于一种称为扩散模型的新型图像生成方法，文本对图像模型可以生产许多不同类型的高分辨率图像，其中人类想象力是唯一的极限。但是，这些模型需要大量的计算资源来训练，并处理从互联网收集的大量数据集。此外，代码库和模型均未发布。因此，它可以防止AI社区尝试这些尖端模型，从而使其结果复制变得复杂，即使不是不可能。在本文中，我们的目标是首先回顾这些模型使用的不同方法和技术，然后提出我们自己的文本模型模型实施。高度基于DALL-E 2，我们引入了一些轻微的修改，以应对所引起的高计算成本。因此，我们有机会进行实验，以了解这些模型的能力，尤其是在低资源制度中。特别是，我们提供了比Dall-e 2的作者（包括消融研究）更深入的分析。此外，扩散模型使用所谓的指导方法来帮助生成过程。我们引入了一种新的指导方法，该方法可以与其他指导方法一起使用，以提高图像质量。最后，我们的模型产生的图像质量相当好，而不必维持最先进的文本对图像模型的重大培训成本。