已经提出了多个草图数据集，以了解人们如何绘制3D对象。但是，这样的数据集通常是小规模的，并且覆盖了一小部分对象或类别。此外，这些数据集包含大多来自专家用户的徒手草图，因此很难比较专家和新手用户的图纸，而这种比较对于告知对任何一个用户组的基于草图的界面更为有效的接口至关重要。这些观察结果激发了我们分析具有和没有足够绘图技能的人的不同程度的素描3D对象。我们邀请了70个新手用户和38位专家用户素描136 3D对象，这些对象是从多个视图中呈现的362张图像。这导致了3,620个徒手多视图草图的新数据集，在某些视图下，它们在其相应的3D对象上注册。我们的数据集比现有数据集大的数量级。我们在三个级别（即在空间和时间特征下以及跨越创建者组的内部和范围内）分析了三个级别的收集数据。我们发现，专业人士和新手的图纸在本质和外在的中风级别上显示出显着差异。我们在两个应用程序中演示了数据集的有用性：（i）徒手式的草图合成，（ii）将其作为基于草图的3D重建的潜在基准。我们的数据集和代码可在https://chufengxiao.github.io/differsketching/上获得。

It can be easy and even fun to sketch humans in different poses. In contrast, creating those same poses on a 3D graphics "mannequin" is comparatively tedious. Yet 3D body poses are necessary for various downstream applications. We seek to preserve the convenience of 2D sketching while giving users of different skill levels the flexibility to accurately and more quickly pose\slash refine a 3D mannequin. At the core of the interactive system, we propose a machine-learning model for inferring the 3D pose of a CG mannequin from sketches of humans drawn in a cylinder-person style. Training such a model is challenging because of artist variability, a lack of sketch training data with corresponding ground truth 3D poses, and the high dimensionality of human pose-space. Our unique approach to synthesizing vector graphics training data underpins our integrated ML-and-kinematics system. We validate the system by tightly coupling it with a user interface, and by performing a user study, in addition to quantitative comparisons.

素描是一种常用于创新过程的自然和有效的视觉通信介质。深度学习模型的最新发展急剧改善了理解和生成视觉内容的机器能力。令人兴奋的发展领域探讨了用于模拟人类草图的深度学习方法，开设创造性应用的机会。本章介绍了开发深受学习驱动的创造性支持工具的三个基本步骤，这些步骤消耗和生成草图：1）在草图和移动用户界面之间生成新配对数据集的数据收集工作; 2）基于草图的用户界面检索系统，适用于最先进的计算机视觉技术; 3）一个对话的草图系统，支持基于自然语言的草图/批判创作过程的新颖互动。在本章中，我们在深度学习和人机互动社区中进行了对相关的事先工作，详细记录了数据收集过程和系统的架构，目前提供了定性和定量结果，并绘制了几个未来研究的景观在这个令人兴奋的地区的方向。

本文的目标是对面部素描合成（FSS）问题进行全面的研究。然而，由于获得了手绘草图数据集的高成本，因此缺乏完整的基准，用于评估过去十年的FSS算法的开发。因此，我们首先向FSS引入高质量的数据集，名为FS2K，其中包括2,104个图像素描对，跨越三种类型的草图样式，图像背景，照明条件，肤色和面部属性。 FS2K与以前的FSS数据集不同于难度，多样性和可扩展性，因此应促进FSS研究的进展。其次，我们通过调查139种古典方法，包括34个手工特征的面部素描合成方法，37个一般的神经式传输方法，43个深映像到图像翻译方法，以及35个图像 - 素描方法。此外，我们详细说明了现有的19个尖端模型的综合实验。第三，我们为FSS提供了一个简单的基准，名为FSGAN。只有两个直截了当的组件，即面部感知屏蔽和风格矢量扩展，FSGAN将超越所提出的FS2K数据集的所有先前最先进模型的性能，通过大边距。最后，我们在过去几年中汲取的经验教训，并指出了几个未解决的挑战。我们的开源代码可在https://github.com/dengpingfan/fsgan中获得。

培训和测试监督对象检测模型需要大量带有地面真相标签的图像。标签定义图像中的对象类及其位置，形状以及可能的其他信息，例如姿势。即使存在人力，标签过程也非常耗时。我们引入了一个新的标签工具，用于2D图像以及3D三角网格：3D标记工具（3DLT）。这是一个独立的，功能丰富和跨平台软件，不需要安装，并且可以在Windows，MacOS和基于Linux的发行版上运行。我们不再像当前工具那样在每个图像上分别标记相同的对象，而是使用深度信息从上述图像重建三角形网格，并仅在上述网格上标记一次对象。我们使用注册来简化3D标记，离群值检测来改进2D边界框的计算和表面重建，以将标记可能性扩展到大点云。我们的工具经过最先进的方法测试，并且在保持准确性和易用性的同时，它极大地超过了它们。

我们介绍了1,497个3D VR草图和具有较大形状多样性的椅子类别的3D形状对的第一个细粒数据集。我们的数据集支持草图社区的最新趋势，以细粒度的数据分析，并将其扩展到主动开发的3D域。我们争辩说最方便的草图场景，其中草图由稀疏的线条组成，并且不需要任何草图技能，事先培训或耗时的准确绘图。然后，我们首次将细粒度3D VR草图的场景研究为3D形状检索，作为一种新颖的VR素描应用程序和一个探索基础，以推动通用见解以告知未来的研究。通过实验在这个新问题上精心选择的设计因素组合，我们得出重要的结论以帮助跟进工作。我们希望我们的数据集能够启用其他新颖的应用程序，尤其是那些需要细粒角的应用程序，例如细粒度的3D形状重建。该数据集可在tinyurl.com/vrsketch3dv21上获得。

In this paper, we present a method for converting a given scene image into a sketch using different types and multiple levels of abstraction. We distinguish between two types of abstraction. The first considers the fidelity of the sketch, varying its representation from a more precise portrayal of the input to a looser depiction. The second is defined by the visual simplicity of the sketch, moving from a detailed depiction to a sparse sketch. Using an explicit disentanglement into two abstraction axes -- and multiple levels for each one -- provides users additional control over selecting the desired sketch based on their personal goals and preferences. To form a sketch at a given level of fidelity and simplification, we train two MLP networks. The first network learns the desired placement of strokes, while the second network learns to gradually remove strokes from the sketch without harming its recognizability and semantics. Our approach is able to generate sketches of complex scenes including those with complex backgrounds (e.g., natural and urban settings) and subjects (e.g., animals and people) while depicting gradual abstractions of the input scene in terms of fidelity and simplicity.

Intelligent mesh generation (IMG) refers to a technique to generate mesh by machine learning, which is a relatively new and promising research field. Within its short life span, IMG has greatly expanded the generalizability and practicality of mesh generation techniques and brought many breakthroughs and potential possibilities for mesh generation. However, there is a lack of surveys focusing on IMG methods covering recent works. In this paper, we are committed to a systematic and comprehensive survey describing the contemporary IMG landscape. Focusing on 110 preliminary IMG methods, we conducted an in-depth analysis and evaluation from multiple perspectives, including the core technique and application scope of the algorithm, agent learning goals, data types, targeting challenges, advantages and limitations. With the aim of literature collection and classification based on content extraction, we propose three different taxonomies from three views of key technique, output mesh unit element, and applicable input data types. Finally, we highlight some promising future research directions and challenges in IMG. To maximize the convenience of readers, a project page of IMG is provided at \url{https://github.com/xzb030/IMG_Survey}.

人类在需要快速传达对象信息的游戏中显示出高级的抽象功能。他们将消息内容分解为多个部分，并以可解释的协议将它们传达。为了为机器提供这种功能，我们提出了基于原始的草图抽象任务，其目标是在预算影响下使用一组固定的绘图原始图表示草图。为了解决这项任务，我们的原始匹配网络（PMN）以自我监督的方式学习了草图的可解释抽象。具体而言，PMN将草图的每个笔划都映射到给定集中最相似的原始性，预测了仿射转换将所选原始词与目标冲程对齐的仿射转换。我们学习了端到端的这一笔触至关重要的映射，当原始草图精确地用预测的原语重建时，距离转换损失是最小的。我们的PMN抽象在经验上取得了素描识别和基于草图的图像检索的最高性能，同时也是高度可解释的。这为草图分析打开了新的可能性，例如通过提取定义对象类别的最相关的原始图来比较草图。代码可在https://github.com/explainableml/sketch-primitives上找到。

传统上，本征成像或内在图像分解被描述为将图像分解为两层：反射率，材料的反射率;和一个阴影，由光和几何之间的相互作用产生。近年来，深入学习技术已广泛应用，以提高这些分离的准确性。在本调查中，我们概述了那些在知名内在图像数据集和文献中使用的相关度量的结果，讨论了预测所需的内在图像分解的适用性。虽然Lambertian的假设仍然是许多方法的基础，但我们表明，对图像形成过程更复杂的物理原理组件的潜力越来越意识到，这是光学准确的材料模型和几何形状，更完整的逆轻型运输估计。考虑使用的前瞻和模型以及驾驶分解过程的学习架构和方法，我们将这些方法分类为分解的类型。考虑到最近神经，逆和可微分的渲染技术的进步，我们还提供了关于未来研究方向的见解。

生长免费的在线3D形状集合决定了3D检索的研究。然而，已经进行了积极的辩论（i）最佳输入方式是触发检索，以及（ii）这种检索的最终用法场景。在本文中，我们为回答这些问题提供了不同的观点 - 我们研究了3D草图作为输入方式，并提倡进行检索的VR-Scenario。因此，最终的愿景是用户可以通过在VR环境中自由空气供电来自由地检索3D模型。作为新的3D VR-Sketch的首次刺入3D形状检索问题，我们做出了四个贡献。首先，我们对VR实用程序进行编码以收集3D VR-Sketches并进行检索。其次，我们从ModelNet收集了两个形状类别的第一套$ 167 $ 3D VR-SKETCHES。第三，我们提出了一种新的方法，以生成不同抽象级别类似人类的3D草图的合成数据集，以训练深层网络。最后，我们比较了常见的多视图和体积方法：我们表明，与3D形状到3D形状检索相比，基于体积点的方法在3D草图上表现出卓越的性能，并且由于稀疏和抽象的性质而显示出3D形状的检索3D VR-Sketches。我们认为，这些贡献将集体成为未来在此问题的尝试的推动者。 VR接口，代码和数据集可在https://tinyurl.com/3dsketch3dv上找到。

The ImageNet Large Scale Visual Recognition Challenge is a benchmark in object category classification and detection on hundreds of object categories and millions of images. The challenge has been run annually from 2010 to present, attracting participation from more than fifty institutions. This paper describes the creation of this benchmark dataset and the advances in object recognition that have been possible as a result. We discuss the chal-

People learning new concepts can often generalize successfully from just a single example, yet machine learning algorithms typically require tens or hundreds of examples to perform with similar accuracy. People can also use learned concepts in richer ways than conventional algorithms-for action, imagination, and explanation. We present a computational model that captures these human learning abilities for a large class of simple visual concepts: handwritten characters from the world's alphabets. The model represents concepts as simple programs that best explain observed examples under a Bayesian criterion. On a challenging one-shot classification task, the model achieves human-level performance while outperforming recent deep learning approaches. We also present several "visual Turing tests" probing the model's creative generalization abilities, which in many cases are indistinguishable from human behavior.

捕获比窄FOV相机的宽视野（FOV）相机，其捕获更大的场景区域，用于许多应用，包括3D重建，自动驾驶和视频监控。然而，广角图像包含违反针孔摄像机模型底层的假设的扭曲，导致对象失真，估计场景距离，面积和方向困难，以及防止在未造成的图像上使用现成的深层模型。下游计算机视觉任务。图像整流，旨在纠正这些扭曲，可以解决这些问题。本文从转换模型到整流方法的广角图像整流的全面调查进展。具体地，我们首先介绍了不同方法中使用的相机模型的详细描述和讨论。然后，我们总结了几种失真模型，包括径向失真和投影失真。接下来，我们审查了传统的基于几何图像整流方法和基于深度学习的方法，其中前者将失真参数估计作为优化问题，并且后者通过利用深神经网络的力量来将其作为回归问题。我们评估在公共数据集上最先进的方法的性能，并显示虽然两种方法都可以实现良好的结果，但这些方法仅适用于特定的相机型号和失真类型。我们还提供了强大的基线模型，并对合成数据集和真实世界广角图像进行了对不同失真模型的实证研究。最后，我们讨论了几个潜在的研究方向，预计将来进一步推进这一领域。

The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical Music Recognition, with other researchers and practitioners that could benefit from such systems, like librarians or musicologists. The relevant topics of interest for the workshop include, but are not limited to: Music reading systems; Optical music recognition; Datasets and performance evaluation; Image processing on music scores; Writer identification; Authoring, editing, storing and presentation systems for music scores; Multi-modal systems; Novel input-methods for music to produce written music; Web-based Music Information Retrieval services; Applications and projects; Use-cases related to written music. These are the proceedings of the 3rd International Workshop on Reading Music Systems, held in Alicante on the 23rd of July 2021.

任意神经风格转移是一个重要的主题，具有研究价值和工业应用前景，该主题旨在使用另一个样式呈现一个图像的结构。最近的研究已致力于任意风格转移（AST）的任务，以提高风格化质量。但是，关于AST图像的质量评估的探索很少，即使它可以指导不同算法的设计。在本文中，我们首先构建了一个新的AST图像质量评估数据库（AST-IQAD），该数据库包括150个内容样式的图像对以及由八种典型AST算法产生的相应的1200个风格化图像。然后，在我们的AST-IQAD数据库上进行了一项主观研究，该研究获得了三种主观评估（即内容保存（CP），样式相似（SR）和整体视觉（OV），该数据库获得了所有风格化图像的主观评分评分。 。为了定量测量AST图像的质量，我们提出了一个新的基于稀疏表示的图像质量评估度量（SRQE），该指标（SRQE）使用稀疏特征相似性来计算质量。 AST-IQAD的实验结果证明了该方法的优越性。数据集和源代码将在https://github.com/hangwei-chen/ast-iqad-srqe上发布

As a powerful representation of 3D scenes, the neural radiance field (NeRF) enables high-quality novel view synthesis from multi-view images. Stylizing NeRF, however, remains challenging, especially on simulating a text-guided style with both the appearance and the geometry altered simultaneously. In this paper, we present NeRF-Art, a text-guided NeRF stylization approach that manipulates the style of a pre-trained NeRF model with a simple text prompt. Unlike previous approaches that either lack sufficient geometry deformations and texture details or require meshes to guide the stylization, our method can shift a 3D scene to the target style characterized by desired geometry and appearance variations without any mesh guidance. This is achieved by introducing a novel global-local contrastive learning strategy, combined with the directional constraint to simultaneously control both the trajectory and the strength of the target style. Moreover, we adopt a weight regularization method to effectively suppress cloudy artifacts and geometry noises which arise easily when the density field is transformed during geometry stylization. Through extensive experiments on various styles, we demonstrate that our method is effective and robust regarding both single-view stylization quality and cross-view consistency. The code and more results can be found in our project page: https://cassiepython.github.io/nerfart/.

Figure 1: We provide evidence that state-of-the-art single-view 3D reconstruction methods (AtlasNet (light green, 0.38 IoU) [12], OGN (green, 0.46 IoU) [46], Matryoshka Networks (dark green, 0.47 IoU) [37]) do not actually perform reconstruction but image classification. We explicitly design pure recognition baselines (Clustering (light blue, 0.46 IoU) and Retrieval (dark blue, 0.57 IoU)) and show that they produce similar or better results both qualitatively and quantitatively. For reference, we show the ground truth (white) and a nearest neighbor from the training set (red, 0.76 IoU). The inset shows the input image.

The PASCAL Visual Object Classes (VOC) challenge is a benchmark in visual object category recognition and detection, providing the vision and machine learning communities with a standard dataset of images and annotation, and standard evaluation procedures. Organised annually from 2005 to present, the challenge and its associated dataset has become accepted as the benchmark for object detection.This paper describes the dataset and evaluation procedure. We review the state-of-the-art in evaluated methods for both classification and detection, analyse whether the methods are statistically different, what they are learning from the images (e.g. the object or its context), and what the methods find easy or confuse. The paper concludes with lessons learnt in the three year history of the challenge, and proposes directions for future improvement and extension.

即使对于计算机图形专家来说，从风格化草图中对非线性对象的3D建模也是一个挑战。对象参数从风格化的草图中的外推是一项非常复杂且繁琐的任务。在本研究中，我们提出了一个经纪人系统，该系统在建模者和3D建模软件之间进行了介导，并可以将树的样式绘图转换为完整的3D模型。输入草图不需要准确或详细，只需要代表建模者希望3D模型的树的基本轮廓即可。我们的方法基于定义明确的深神经网络（DNN）体系结构，我们称为treeketchnet（TSN），基于卷积，并能够生成Weber和Penn参数，这些参数可以通过建模软件来解释以生成3D模型的模型树从简单的草图开始。培训数据集由合成生成的草图组成，这些草图与专用搅拌器建模软件附加组件生成的Weber-Penn参数相关。通过使用合成和手工制作的草图测试TSN来证明所提出方法的准确性。最后，我们通过评估预测参数与几个区别特征的相干性，对我们的结果进行定性分析。