我们解决了3D室内场景的语言引导语义风格转移的新问题。输入是一个3D室内场景网格和几个描述目标场景的短语。首先，通过多层感知器将3D顶点坐标映射到RGB残基。其次，通过针对室内场景量身定制的视点采样策略将彩色的3D网格分化为2D图像。第三，通过预训练的视觉模型将渲染的2D图像与短语进行比较。最后，错误被反向传播到多层感知器，以更新与某些语义类别相对应的顶点颜色。我们对公共扫描仪和场景数据集进行了大规模定性分析和A/B用户测试。我们证明：（1）视觉令人愉悦的结果，这些结果可能对多媒体应用有用。 （2）从与人类先验一致的观点渲染3D​​室内场景很重要。 （3）合并语义可显着提高样式转移质量。 （4）HSV正则化项会导致结果与输入更一致，并且通常评分更好。代码和用户研究工具箱可从https://github.com/air-discover/lasst获得

在这项工作中，我们开发直观的控制，用于编辑3D对象的风格。我们的框架Text2Mesh，通过预测符合目标文本提示的颜色和本地几何细节来体验3D网格。我们考虑使用与学习的神经网络耦合的固定网格输入（内容）进行3D对象的脱信表示，我们使用神经风格现场网络。为了修改样式，我们通过利用剪辑的代表性来获取文本提示（描述样式）和风格化网格之间的相似性分数。Text2Mesh既不需要预先训练的生成模型，也不需要专门的3D网状数据集。它可以处理具有任意属的低质量网格（非歧管，边界等），并且不需要UV参数化。我们展示了我们技术在各种各样的3D网格上综合了符合无数款式的能力。

我们提出了夹子演员，这是人类网状动画的文本驱动运动建议和神经网格式化系统。剪贴画将动画3D人类网格通过推荐运动序列和学习网格样式属性来符合文本提示。当艺术家设计的网格内容从一开始就不符合文本时，先前的工作将无法产生合理的结果。取而代之的是，我们通过利用具有语言标签的大规模人类运动数据集来构建文本驱动的人类运动推荐系统。鉴于自然语言提示，剪贴器首先提出了一种人类运动，该运动以粗到精细的方式符合提示。然后，我们提出了一种合成的直接优化方法，该方法从每个帧的姿势中以分离的方式详细详细介绍了建议的网格序列。它允许样式属性以时间一致和姿势不合时宜的方式符合提示。脱钩的神经优化还可以使人类运动的时空视图增强。我们进一步提出了掩盖加权的嵌入注意力，该嵌入的注意力通过拒绝含有稀缺前景像素的分心渲染来稳定优化过程。我们证明剪贴器会产生合理的和人类识别的样式3D人物，并从自然语言提示中带有详细的几何形状和纹理。

We present 3D Highlighter, a technique for localizing semantic regions on a mesh using text as input. A key feature of our system is the ability to interpret "out-of-domain" localizations. Our system demonstrates the ability to reason about where to place non-obviously related concepts on an input 3D shape, such as adding clothing to a bare 3D animal model. Our method contextualizes the text description using a neural field and colors the corresponding region of the shape using a probability-weighted blend. Our neural optimization is guided by a pre-trained CLIP encoder, which bypasses the need for any 3D datasets or 3D annotations. Thus, 3D Highlighter is highly flexible, general, and capable of producing localizations on a myriad of input shapes. Our code is publicly available at https://github.com/threedle/3DHighlighter.

As a powerful representation of 3D scenes, the neural radiance field (NeRF) enables high-quality novel view synthesis from multi-view images. Stylizing NeRF, however, remains challenging, especially on simulating a text-guided style with both the appearance and the geometry altered simultaneously. In this paper, we present NeRF-Art, a text-guided NeRF stylization approach that manipulates the style of a pre-trained NeRF model with a simple text prompt. Unlike previous approaches that either lack sufficient geometry deformations and texture details or require meshes to guide the stylization, our method can shift a 3D scene to the target style characterized by desired geometry and appearance variations without any mesh guidance. This is achieved by introducing a novel global-local contrastive learning strategy, combined with the directional constraint to simultaneously control both the trajectory and the strength of the target style. Moreover, we adopt a weight regularization method to effectively suppress cloudy artifacts and geometry noises which arise easily when the density field is transformed during geometry stylization. Through extensive experiments on various styles, we demonstrate that our method is effective and robust regarding both single-view stylization quality and cross-view consistency. The code and more results can be found in our project page: https://cassiepython.github.io/nerfart/.

我们提出了一种将任意样式图像的艺术特征转移到3D场景的方法。在点云或网格上执行3D风格的先前方法对复杂的现实世界场景的几何重建错误敏感。取而代之的是，我们建议对更健壮的辐射场字段表示。我们发现，常用的基于克矩阵的损失倾向于在没有忠实笔触的情况下产生模糊的结果，并引入了最近的基于邻居的损失，该损失非常有效地捕获样式的细节，同时保持多视图一致性。我们还提出了一种新颖的递延后传播方法，以使用在全分辨率渲染图像上定义的样式损失来优化记忆密集型辐射场。我们广泛的评估表明，我们的方法通过产生与样式图像更相似的艺术外观来优于基线。请检查我们的项目页面以获取视频结果和开源实现：https：//www.cs.cornell.edu/projects/arf/。

We propose ClipFace, a novel self-supervised approach for text-guided editing of textured 3D morphable model of faces. Specifically, we employ user-friendly language prompts to enable control of the expressions as well as appearance of 3D faces. We leverage the geometric expressiveness of 3D morphable models, which inherently possess limited controllability and texture expressivity, and develop a self-supervised generative model to jointly synthesize expressive, textured, and articulated faces in 3D. We enable high-quality texture generation for 3D faces by adversarial self-supervised training, guided by differentiable rendering against collections of real RGB images. Controllable editing and manipulation are given by language prompts to adapt texture and expression of the 3D morphable model. To this end, we propose a neural network that predicts both texture and expression latent codes of the morphable model. Our model is trained in a self-supervised fashion by exploiting differentiable rendering and losses based on a pre-trained CLIP model. Once trained, our model jointly predicts face textures in UV-space, along with expression parameters to capture both geometry and texture changes in facial expressions in a single forward pass. We further show the applicability of our method to generate temporally changing textures for a given animation sequence.

我们将神经渲染与多模态图像和文本表示相结合，以仅从自然语言描述中综合不同的3D对象。我们的方法，梦场，可以产生多种物体的几何和颜色而无需3D监控。由于不同，标题3D数据的稀缺性，先前的方法仅生成来自少数类别的对象，例如ShapEnet。相反，我们指导生成与从Web的标题图像的大型数据集预先培训的图像文本模型。我们的方法优化了许多相机视图的神经辐射场，使得根据预先训练的剪辑模型，渲染图像非常高度地使用目标字幕。为了提高保真度和视觉质量，我们引入简单的几何前瞻，包括突出透射率正则化，场景界限和新的MLP架构。在实验中，梦场从各种自然语言标题中产生现实，多视图一致的物体几何和颜色。

我们在室内场景的网格重建时应用样式转移。这使得VR应用程序能够体验绘制艺术家风格的3D环境。风格传输通常在2D图像上运行，使网格挑战的程式化。当优化多种姿势时，风格化图案变得延伸并尺寸不一致。另一方面，存在基于模型的3D样式传输方法，其允许从稀疏图像集中的程式化，但是它们需要推动时间的网络。为此，我们优化了场景的重建网格的显式纹理，并从所有可用的输入图像共同地体现它。我们的深度和角度感知优化利用底层网格的表面正常和深度数据，为整个场景创建统一和一致的程式化。我们的实验表明，我们的方法为完整场景创造了锐利，详细的结果，而无需查看依赖文物。通过广泛的消融研究，我们表明所提出的3D意识使得风格转移能够应用于网格的3D域。我们的方法可用于实时与传统的渲染管道实时呈现风格化网格。

我们提出了仅使用目标文本提示的3D模型的零击生成技术。在没有任何3D监督的情况下，我们的方法变形了极限细分表面的控制形状及其纹理地图和正常地图，以获得与输入文本提示相对应的3D资产，并且可以轻松地部署到游戏或建模应用程序中。我们仅依靠预先训练的剪辑模型，该模型将输入文本提示与我们3D模型的渲染图像进行了分化。虽然先前的作品集中在风格化或对生成模型的必要培训上，但我们直接对网格参数进行优化，以生成形状，纹理或两者兼而有之。为了限制优化以产生合理的网格和纹理，我们使用图像增强量引入了许多技术，并使用预验证的先验，该技术在给定文本嵌入的情况下生成了剪贴图像嵌入。

Recent CLIP-guided 3D optimization methods, e.g., DreamFields and PureCLIPNeRF achieve great success in zero-shot text-guided 3D synthesis. However, due to the scratch training and random initialization without any prior knowledge, these methods usually fail to generate accurate and faithful 3D structures that conform to the corresponding text. In this paper, we make the first attempt to introduce the explicit 3D shape prior to CLIP-guided 3D optimization methods. Specifically, we first generate a high-quality 3D shape from input texts in the text-to-shape stage as the 3D shape prior. We then utilize it as the initialization of a neural radiance field and then optimize it with the full prompt. For the text-to-shape generation, we present a simple yet effective approach that directly bridges the text and image modalities with a powerful text-to-image diffusion model. To narrow the style domain gap between images synthesized by the text-to-image model and shape renderings used to train the image-to-shape generator, we further propose to jointly optimize a learnable text prompt and fine-tune the text-to-image diffusion model for rendering-style image generation. Our method, namely, Dream3D, is capable of generating imaginative 3D content with better visual quality and shape accuracy than state-of-the-art methods.

We present NeRFEditor, an efficient learning framework for 3D scene editing, which takes a video captured over 360{\deg} as input and outputs a high-quality, identity-preserving stylized 3D scene. Our method supports diverse types of editing such as guided by reference images, text prompts, and user interactions. We achieve this by encouraging a pre-trained StyleGAN model and a NeRF model to learn from each other mutually. Specifically, we use a NeRF model to generate numerous image-angle pairs to train an adjustor, which can adjust the StyleGAN latent code to generate high-fidelity stylized images for any given angle. To extrapolate editing to GAN out-of-domain views, we devise another module that is trained in a self-supervised learning manner. This module maps novel-view images to the hidden space of StyleGAN that allows StyleGAN to generate stylized images on novel views. These two modules together produce guided images in 360{\deg}views to finetune a NeRF to make stylization effects, where a stable fine-tuning strategy is proposed to achieve this. Experiments show that NeRFEditor outperforms prior work on benchmark and real-world scenes with better editability, fidelity, and identity preservation.

本文提出了一种程式化的新型视图合成方法。将最新的风格化方法应用于新型视图框架上，通常由于缺乏跨视图一致性而引起抖动的伪像。因此，本文研究了3D场景样式，该风格为一致的新型视图综合提供了强烈的诱导偏置。具体而言，我们采用新兴的神经光辉领域（NERF）作为我们选择的3D场景表示，因为它们有能力为各种场景提供高质量的新颖观点。但是，由于从NERF呈现新颖的视图需要大量样品，因此训练风格化的NERF需要大量的GPU内存，这超出了现成的GPU容量。我们引入了一种新的培训方法，通过交替进行NERF和样式优化步骤来解决此问题。这样的方法使我们能够充分利用自己的硬件记忆能力以更高的分辨率生成图像，又采用更具表现力的图像样式传输方法。我们的实验表明，我们的方法生成了针对各种内容的风格化的NERF，包括室内，室外和动态场景，并综合具有跨视图一致性的高质量小说视图。

图像翻译和操纵随着深层生成模型的快速发展而引起了越来越多的关注。尽管现有的方法带来了令人印象深刻的结果，但它们主要在2D空间中运行。鉴于基于NERF的3D感知生成模型的最新进展，我们介绍了一项新的任务，语义到网络翻译，旨在重建由NERF模型的3D场景，该场景以一个单视语义掩码作为输入为条件。为了启动这项新颖的任务，我们提出了SEM2NERF框架。特别是，SEM2NERF通过将语义面膜编码到控制预训练的解码器的3D场景表示形式中来解决高度挑战的任务。为了进一步提高映射的准确性，我们将新的区域感知学习策略集成到编码器和解码器的设计中。我们验证了提出的SEM2NERF的功效，并证明它在两个基准数据集上的表现优于几个强基础。代码和视频可从https://donydchen.github.io/sem2nerf/获得

For modeling the 3D world behind 2D images, which 3D representation is most appropriate? A polygon mesh is a promising candidate for its compactness and geometric properties. However, it is not straightforward to model a polygon mesh from 2D images using neural networks because the conversion from a mesh to an image, or rendering, involves a discrete operation called rasterization, which prevents back-propagation. Therefore, in this work, we propose an approximate gradient for rasterization that enables the integration of rendering into neural networks. Using this renderer, we perform single-image 3D mesh reconstruction with silhouette image supervision and our system outperforms the existing voxel-based approach. Additionally, we perform gradient-based 3D mesh editing operations, such as 2D-to-3D style transfer and 3D DeepDream, with 2D supervision for the first time. These applications demonstrate the potential of the integration of a mesh renderer into neural networks and the effectiveness of our proposed renderer.

Traditional 3D scene understanding approaches rely on labeled 3D datasets to train a model for a single task with supervision. We propose OpenScene, an alternative approach where a model predicts dense features for 3D scene points that are co-embedded with text and image pixels in CLIP feature space. This zero-shot approach enables task-agnostic training and open-vocabulary queries. For example, to perform SOTA zero-shot 3D semantic segmentation it first infers CLIP features for every 3D point and later classifies them based on similarities to embeddings of arbitrary class labels. More interestingly, it enables a suite of open-vocabulary scene understanding applications that have never been done before. For example, it allows a user to enter an arbitrary text query and then see a heat map indicating which parts of a scene match. Our approach is effective at identifying objects, materials, affordances, activities, and room types in complex 3D scenes, all using a single model trained without any labeled 3D data.

数字艺术合成在多媒体社区中受到越来越多的关注，因为有效地与公众参与了艺术。当前的数字艺术合成方法通常使用单模式输入作为指导，从而限制了模型的表现力和生成结果的多样性。为了解决这个问题，我们提出了多模式引导的艺术品扩散（MGAD）模型，该模型是一种基于扩散的数字艺术品生成方法，它利用多模式提示作为控制无分类器扩散模型的指导。此外，对比度语言图像预处理（剪辑）模型用于统一文本和图像模式。关于生成的数字艺术绘画质量和数量的广泛实验结果证实了扩散模型和多模式指导的组合有效性。代码可从https://github.com/haha-lisa/mgad-multimodal-guided-artwork-diffusion获得。

随着信息中的各种方式存在于现实世界中的各种方式，多式联信息之间的有效互动和融合在计算机视觉和深度学习研究中的多模式数据的创造和感知中起着关键作用。通过卓越的功率，在多式联运信息中建模互动，多式联运图像合成和编辑近年来已成为一个热门研究主题。与传统的视觉指导不同，提供明确的线索，多式联路指南在图像合成和编辑方面提供直观和灵活的手段。另一方面，该领域也面临着具有固有的模态差距的特征的几个挑战，高分辨率图像的合成，忠实的评估度量等。在本调查中，我们全面地阐述了最近多式联运图像综合的进展根据数据模型和模型架构编辑和制定分类。我们从图像合成和编辑中的不同类型的引导方式开始介绍。然后，我们描述了多模式图像综合和编辑方法，其具有详细的框架，包括生成的对抗网络（GAN），GaN反转，变压器和其他方法，例如NERF和扩散模型。其次是在多模式图像合成和编辑中广泛采用的基准数据集和相应的评估度量的综合描述，以及分析各个优点和限制的不同合成方法的详细比较。最后，我们为目前的研究挑战和未来的研究方向提供了深入了解。与本调查相关的项目可在HTTPS://github.com/fnzhan/mise上获得

We propose an analysis-by-synthesis method for fast multi-view 3D reconstruction of opaque objects with arbitrary materials and illumination. State-of-the-art methods use both neural surface representations and neural rendering. While flexible, neural surface representations are a significant bottleneck in optimization runtime. Instead, we represent surfaces as triangle meshes and build a differentiable rendering pipeline around triangle rasterization and neural shading. The renderer is used in a gradient descent optimization where both a triangle mesh and a neural shader are jointly optimized to reproduce the multi-view images. We evaluate our method on a public 3D reconstruction dataset and show that it can match the reconstruction accuracy of traditional baselines and neural approaches while surpassing them in optimization runtime. Additionally, we investigate the shader and find that it learns an interpretable representation of appearance, enabling applications such as 3D material editing.

Considerable progress has recently been made in leveraging CLIP (Contrastive Language-Image Pre-Training) models for text-guided image manipulation. However, all existing works rely on additional generative models to ensure the quality of results, because CLIP alone cannot provide enough guidance information for fine-scale pixel-level changes. In this paper, we introduce CLIPVG, a text-guided image manipulation framework using differentiable vector graphics, which is also the first CLIP-based general image manipulation framework that does not require any additional generative models. We demonstrate that CLIPVG can not only achieve state-of-art performance in both semantic correctness and synthesis quality, but also is flexible enough to support various applications far beyond the capability of all existing methods.